Lord of the dance


Justin Mitchell


Weekend: July 16-17, 2005


 

It had been a melancholy evening spent listening to a Tawainese friend who was trying to pick my brain to solve visa problems he was having for his American wife and their daughter.

I needed a little lightening up and found it dancing in the dark - well, nearly in the dark.

There were some eateries near this small Shenzhen community park whose lighting cast a feeble glow on a group of middle-aged men and women - some in almost formal attire, others dressed for comfort in the muggy July haze and heat.

Music drifted from a small sunken concrete amphitheater surrounded by three rows of steps-cum-benches.

Whining mosquitoes combined with the shrill female vocals coming from a boombox that was parked on one bench while on the makeshift dance floor 10 couples - four mixed, five female and one male - gently two-stepped, spun, twirled and approximated a waltz and tango or two to the tunes.

Sweating, I took a seat and batted, slapped and scratched at the bugs and watched, entranced. Strings of unlit lights hung from the trees around them and it was hard to see clearly, even at reasonably close range.

The music paused and one of the two middle-aged female couples approached me shyly, giggling a little.

I nodded hello and one asked me in halting English, stopping to momentarily cover her mouth between nervous titters, if I would perhaps like to join them.

"You dance?'' asked one. "You dance with her? My friend?'' she said, pointing at her partner, whose embarrassed face was also obscured with her hand.

"Delighted,'' I replied. The music began again - piercing, wailing female vocals in a duet with a lusty male baritone approximating a Peking-Opera-meets-Tibetan-yak-herders-at-Donna-Summer's-place arrangement.

I am more accustomed to boogying to Shanghai house music or the 217th rendition of Sex Bomb in Shenzhen nightspots such as True Colors or the V Bar. But I switched mental gears and approximated something semi-formal, dredged up from Mrs Pollard's sixth-grade dance lessons, and took a twirl or three.

The music stopped and I bowed and thanked her, then took a breather, largely because the sight of a foreign barbarian cutting the concrete had drawn more curious onlookers than mosquitoes.

One fellow, who appeared to be roughly my age, approached to "practice'' his English. After the usual niceties concerning my country of origin, reassurance that I adored China and Chinese food and certifying my employment and marital status, I turned the tables by asking him about the songs.

"They are old, from our younger days,'' he said.

Ah ha. Golden oldies, I thought. Glory days. Yeah, like dancing to Creedence, Aretha, the Stones, Kinks, the Tempts, the Fabs and getting the Led out at my high school reunions. I could relate.

"So what are they about? Love?''

"This one, yes! Love for Chairman Mao, yes!'' he replied, smiling as I might if I'd been asked to describe the eternal appeal of Good Vibrations or I Heard It Through the Grapevine to a Martian.

"What's it about?'' I asked. "What's it called?''

" It is Mao Zhu Xi Lai Dao Zan Nong Zhuang,'' he said, thoughtfully pausing so I could scrawl some crude notes with a leaky pen on the back of a soggy cable TV bill. It means `Chairman Mao Came to Our Farm.' It is about all the farmers thanking him and bringing their animals to Beijing to give to Chairman Mao.''

Not exactly Jumping Jack Flash, I thought, but I pressed for more details.

"The song before this one says, `Chairman Mao is like the sun. He warms the entire earth.' It is called Bei Jing De Jin Shan Shang - `On the Gold Mountain of Beijing.' The singer is Cai Dan Zhuo Ma. Very popular. A Tibetan woman.''

"Kind of like Diana Ross? Or Gladys Knight?'' I asked.

"Who?''

"Never mind.''

He paused for a moment and sang along for a verse or two, lost in memories that presumably didn't involve Red Guards beating him senseless in a public square while his nine-year-old daughter denounced him.

Another one began.

"What's this about?'' I queried, almost afraid to ask.

"It is Shi Wu De Yue Liang. It means `Moon of the Fifteenth.' The singer is Dong Wenhua. Also very popular. Her husband is a soldier fighting away from home on the Vietnam border, she misses him and he receives an honor, an award.''

"A medal?''

"Yes! A medal! And he takes it to his wife and tells her it is for both of them. They share it together for China.''

He was positively beaming at this point.

"Lovely,'' I said.

"Yes, very, very romantic. I am in school again when I hear it.''

"Yeah, I know the feeling,'' I said. "I guess one man's Dong Wenhua is another's Janis Joplin.''

justin.mitchell@singtaonewscorp.com


Copyright 2005, The Standard, Sing Tao Newspaper Group and Global China Group. All rights reserved. No content may be redistributed or republished, either electronically or in print, without express written consent of The Standard.



 

 




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