Andrews, Julia F. "Literature in Line: Picture Stories in the People's Republic of China." Inks: Comic and Comic Art Studies 4, 3 (Nov. 1997): 17-32.

Barme, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information 8, 1/2 (1993): 1-44.

-----. "CCPTM & ADCULT PRC." The China Journal 41 (Jan. 1999): 1-24. [essay on advertising and popular culture in the PRC; also included in In the Red]

-----. In the Red: On Contemporary Chinese Culture. NY: Columbia UP, 1999. [includes the above two essays and much more]

Barthlein, Thomas. "'Mirors of Transition': Conflicting Images of Society in Change from Popular Chinese Social Novels, 1908 to 1930." Modern China 25, 2 (April 1999): 204-28.

Benson, Carlton. From Teahouse to Radio: Storytelling and the Commercialization of Culture in 1930s Shanghai. Ph.d. diss. Berkeley: University of California, 1996.

Bordahl, Vibeke. The Eternal Storyteller: Oral Literature in Modern China. Honolulu: UHP, 1998.

-----. "Three Bowls and You Cannot Cross the Ridge: Orality and Literacy in Yangzhou Storytelling." In Soren Clausen, Roy Starrs, and Anne Wedell-Wedellsborg, eds., Cultural Encounters: China, Japan, and the West: Essays Commemorating 25 Years of East Asian studies at the University of Aarhus. Aarhus: Aarhus University Press, 1995, 125-57.

Cheng, Fong-ching. "The Popular Cultural Movement of the 1980s." In Gloria Davies, ed. Voicing Concerns: Contemporary Chinese Critical Inquiry. Lanham, MD: Rowman and Littlefied, 2001, 71-86.

Chen, Fong-ching and Jin Guantao. From Youthful Manuscripts to River Elegy: The Chinese Popular Cultural Movement and Political Transformation, 1979-1989. HK: Chinese University of HK Press, 1997.

Chen, Nancy, Constance Clark, Suzanne Gottschang, and Lyn Jeffry, eds. China Urban: Ethnographies of Contemporary Culture. Durham: Duke UP, 2001.

Chen Pingyuan. Qiangu wenren xaike meng: Wuxia xiaoshuo leixing yanjiu (The scholar's ancient dream of the knight-errant: genre studies of martial arts fiction). Beijing: Renmin wenxue, 1992.

-----. "From Popular Science to Science Fiction: An Investigation of 'Flying Machines.'" In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 209-40.

-----. "Literature High and Low: 'Popular Fiction' in Twentieth-Century China." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 113-33.

"Chinese Popular Culture and the State." Special issue of positions: east asia culture critiques 9, 1 (2001). [Contributors: Tani E. Barlow, Dai Jinhua, Judith Farquhar, David S. G. Goodman, James L. Hevia, Li Hsiaoti, Ralph Litzinger, Eric Kit-Wa Ma, Jonathan Scott Noble, Jing Wang; Summary: The State Question in Chinese Popular Culture presents a series of groundbreaking essays that challenge the paradigm dividing Chinese culture into "official" and "unofficial" categories. This binary, which mirrors the "high/low" dichotomy familiar to all practitioners of cultural studies, finds its roots in Cold-War Western romanticization of a Chinese popular culture that stood in defiant opposition to the Communist state. This special issue disputes such simplistic representations and offers new critical trajectories crucial to the study of contemporary Chinese popular culture]

Ching, Leo. "Globalizing the Regional, Regionalizing the Global: Mass Culture and Asianism in the Age of Late Capital." In Arjun Appadurai, ed., Globalization. Durham: Duke UP, 2001, 279-306.

Chow, Rey. "Rereading Mandarin Ducks and Butterflies: A Response to the 'Postmodern' Condition." Cultural Critique 5 (Winter 1986/87): 69-95.

-----. Woman and Chinese Modernity: The Politics of Reading Between West and East. Minneapolis: U of Minnesota Press, 1991. (see chap. 2)

Cochran, Sherman. Inventing Nanjing Road: Commerical Culture in Shanghai, 1990-1945. Ithaca: Cornell UP, 1998.

Dai, Jinhua. "Invisible Writing: The Politics of Chinese Mass Culture in the 1990s." Modern Chinese Literature and Culture 11,2 (Spring 1999): 31-60.

-----. "Behind Global Spectacle and National Image Making." positions 9, 1 (Spring 2001): 161-186.

Davis, Deborah, ed. The Consumer Revolution in Urban China. Berkeley: UCP, 2000.

Desser, David. “Consuming Asia: Chinese and Japanese Popular Culture and the American Imaginary.” In Jenny Kwok Wah Lau, ed., Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia. Philadelphia: Temple UP, 2003.

Doar, Bruce. "Speculation in a Distorting Mirror: Scientific and Political Phantasy in Contemporary Chinese Writing." The Australian Journal of Chnese Affairs 8 (1982): 51-64.

Dong, Paul. China's Major Mysteries: Paranormal Phenomena and the Unexplained in the People's Republic. San Francisco: China Books and Periodicals, 2000.

Dutton, Michael. "The Badge as Biography." In Streetlife China. Cambridge: Cambridge UP, 1998, 242-71.

Fan Boqun. Libai liu de hudie meng (The butterfly dream of the Saturday group). Beijing: Renmin wenxue, 1989.

Farquhar, Judith. "For Your Reading Pleasure: Self-Health [Ziwo Baojian] Information in 1990s Beijing." positions 9, 1 (Spring 2001): 105-31.

Farrer, James. Opening Up: Youth Sex Culture and Market Reform in Shanghai. Chicago: University of Chicago Press, 2002.

Gimpel, Denise. "More Than Butterflies: Short Fiction in the Early Years of the Literary Journal Xiaoshuo yuebao." In Findeison and Gassmann, eds., Autumn Floods: Essay in Honour of Marian Galik. Bern: Peter Lang, 1997, 243-60.

-----. "Beyond Butterflies: Some Observations on the Early Years of the Journal Xiaoshuo yuebao." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 40-60.

Goodman, David S. G. "Contending the Popular: Party-State and Culture." positions 9, 1 (Spring 2001): 245-52.

Farquhar, Mary Ann. "Sanmao: Classic Cartoons and Chinese Popular Culture." In John Lent, ed., Asian Popular Culture. Boulder: Westview, 1995, 139-58.

Gerth, Karl. China Made: Consumer Culture and the Creation of the Nation. Cambridge : Harvard University Asia Center, 2003.

Gold, Thomas. "Go With Your Feelings: Hong Kong and Taiwan Popular Culture in Greater China." In David Shambaugh ed., Greater China: The New Superpower? NY: Oxford UP, 1995, 255-73.

Guide to Chinese Popular Culture (informative website)

Hamm, John Christopher. "The Marshes of Mount Liang Beyond the Sea: Jin Yong's Early Martial Arts Fiction and Post-War Hong Kong." Modern Chinese Literature and Culture 11, 1 (Spring 1999): 93-124.

-----. "Local Heroes: Guangdong School wuxia Fiction and Hong Kong's Imagining of China." Twentieth-Century China 27, 1 (Nov. 2001): 71-96.

-----. "Reading the Swordsman's Tale: Shisanmei and Ernu yingxiong zhuan." T'oung Pao 84 (1998): 328-55.

-----. Book, Sword, and Nation: Jin Yong and the Modern Chinese Martial Arts Novel. Honolulu: University of Hawaii Press, 2004 (forthcoming).

Huang, Huilin, ed. Dangdai Zhongguo dazhong wenhua yanjiu (Studies in contemporary Chinese mass culture). Beijing: Beijing shifan daxue, 1999.

Hung, Eva. "Giving Texts a Context: Chinese Translations of Classical English Detective Stories, 1896-1916." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 151-76.

Huntington, Rania. “The Weird in the Newspaper.” In Judith T. Zeitlin and Lydia Liu, with Ellen Widmer, eds., Writing and Materiality in China: Essays in Honor of Patrick Hanan. Cambridge, MA: Harvard University Asia Center, 2003, 341-97. [deals mostly with the Dianshizhai huabao]

Huss, Mikael. "Hesitant Journey to the West: Science Fiction's Changing Fortunes in Mainland China." Science Fiction Studies 27, 1 (2000): 92-104.

Johnson, David et al, eds. Popular Culture in Late Imperial China. Berkeley: University of California Press, 1985.

Jordan, David K., Andrew D. Morris, and Marc L. Moskowitz, eds. The Minor Arts of Daily Life: Popular Culture in Taiwan. Honolulu: University of Hawai'i Press, 2004.

Kaikonen, Marja. "From Knights to Nudes: Chinese Popular Literature Since Mao." Stockholm Journal of East Asian Studies 5 (1995): 85-110.

-----. Laughable Propaganda: Modern Xiangsheng as Didactic Entertainment. Stockholm: Stockholm East Asian Monographs, Institute of Oriental Languages, 1990.

-----. "Stories and Legends: China's Largest Contemporary Popular Literature Journals." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 134-60.

Kinkley, Jeffrey. "Chinese Crime Fiction." Society 30, 4 (May/June 1993): 51-62.

-----. "The Politics of Detective Fiction in Post-Mao China: Rebirth or Re-extinction?" The Armchair Detective 18, 4 (Fall 1985): 372-78.

-----. "The Post-Colonial Detective in People's China." In Ed Christian, ed., The Post-Colonial Detective. NY: St. Martin's, 2000.

-----. Chinese Justice, the Fiction: Law and Literature in Modern China. Stanford: SUP, 2000.

Ko, Yu-fen. "Hello Kitty and Identity Politics in Taiwan." Conference paper, Remapping Taiwan (UCLA, Oct. 13-15, 2000).

Kong, Shuyu. Consuming Literature: Best Sellers and the Commercialization of Literary Production in Contemporary China. Stanford: Stanford UP, 2004.

Kozar, Seana. "Paperback Haohan and Other 'Genred Genders': Negotiated Masculinities Among Chinese Popular Fiction Readers." Canadian Folklore Canadien 19, 1 (1997).

Latham, Kevin and Stuart Thompson. Consuming China Approaches to Cultural Change in Contemporary China. Richmond: Curzon Press, 2001.

Laughlin, Charles. "Literature and Popular Culture." In Robert E. Gamer, ed., Understanding Contemporary China. Boulder: Lynne Rienner, 1999.

Lee, Haiyan. "All the Feelings That Are Fit to Print: The Community of Sentiment and the Literary Public Sphere in China, 1900-1918." Modern China 27, no. 3 (July 2001): 291-327.

Lent, John. "The Renaissance of Taiwan Cartoons." Asian Culture Quarterly 21, 1 (1993): 1-17.

Levy, Richard. "Corruption in Popular Culture." In Perry Link, Richard P. Madsen, and Paul G. Pickowicz, eds., Popular China: Unofficial Culture in a Globalizing Society. Lanham, MD: Rowman and Littlefield, 2002, 39-56.

Lewins, Frank. "Everyday Culture in China: The Experience of Intellectuals." China Information 7, 2 ( 1992): 56-69.

Li, Danke. "Popular Culture in the Making of Anti-Imperialist and Nationalist Sentiments in Sichuan." Modern China 30, 4 (Oct. 2004): 470-505.

Abstract: Existing Western scholarship on the rights recovery movement in Sichuan mainly focuses on the role played by elites. This article argues that popular culture, in the form of folk stories, songs, and children's primers, also contributed to that movement by shaping and expressing popular anti-imperialist attitudes. Its analysis of primers available in late Qing Sichuan and popular stories about the activities of foreigners prevalent in the early 1900s serves to reveal a rich local cultural milieu of time-nurtured anti-imperialist sentiment among common people, which broadly influenced local political action. The protests over the Jiangbei mining concession encompassed both elite and ordinary people, although each group understood the issue differently.

Li, Hsiao-t'i. Opera, Society, and Politics: Chinese Intellectuals and Popular Culture, 1901-1937. Ph. D. diss. Cambridge: Harvard University, 1996.

-----. "Making a Name and a Culture for the Masses in China." positions 9, 1 (Spring 2001): 29-68.

Lin Fangmei. Social Change and Romantic Ideology: The Impact of the Public Industry, Family Organization and Gender Roles on the Reception and Interpretation of Romance Fiction in Taiwan. Ph. D. diss. University of Pennsylvania, 1992.

Link, Perry. "Traditional Style Popular Urban Fiction in the Teens and Twenties." In Merle Goldman, ed., Modern Chinese Literature in the May Fourth Era. Cambridge: Harvard UP, 1977, 327-50.

-----. Mandarin Ducks and Butterflies: Popular Fiction in Early Twentieth-Century Chinese Cities. Berkeley: UCP, 1981.

-----. "The Genie and the Lamp: Revolutionary Xiangsheng." In Bonnie McDougall, ed., Popular Literature and the Performing Arts in the People's Republic of China, 1949-1979. Berkeley: University of California Press, 1984, 83-111.

-----. "Hand Copied Entertainment Fiction from the Cultural Revolution." In Link, Richard Madsen, and Paul G. Pickowicz, eds., Unofficial China: Popular Culture and Thought in the People's Republic. Boulder: Westview, 1989, 17-36.

Link, Perry and Kate Zhou. "Shunkouliu: Popular Satirical Sayings and Popular Thought." In Perry Link, Richard P. Madsen, and Paul G. Pickowicz, eds., Popular China: Unofficial Culture in a Globalizing Society. Lanham, MD: Rowman and Littlefield, 2002, 89-110.

Link, Perry, Richard P. Madsen, and Paul G. Pickowiczet, eds. Unofficial China: Popular Culture and Thought in the People's Republic. Boulder: Westview, 1989.

-----. Popular China: Unofficial Culture in a Globalizing Society. Lanham, MD: Rowman and Littlefield, 2002.

Litzinger, Ralph A. "Government from Below: The State, the Popular, and the Illusion of Autonomy." positions 9, 1 (Spring 2001): 253-66.

Liu Ching Chih, ed. The Question of Reception: Marial Arts Fiction in English Translation. HK: Centre for Literature and Translation, Lingnan College, 1997.

Liu, Kang. "Popular Culture and the Culture of the Masses in Contemporary China." Boundary 2 24, 3 (1997): 99-122. Rpt. in Xudong Zhang and Arif Dirlik, eds., Postmodernism and China. Durham: Duke UP, 2000, 123-44.

-----. Liu, Kang. "The Rise of Commercial Popular Culture and the Legacy of the Revolutionary Culture of the Masses." In Liu, Globalization and Cultural Trends in China. Honolulu: University of Hawai'I Press, 2004, 78-101.

-----.Globalization and Cultural Trends in China. Honolulu: University of Hawai'i Press, 2004.

Liu, Lydia. “A Folksong Immortal and Official Popular Culture in Twentieth-Century China.” In Judith T. Zeitlin and Lydia Liu, with Ellen Widmer, eds., Writing and Materiality in China: Essays in Honor of Patrick Hanan. Cambridge, MA: Harvard University Asia Center, 2003, 553-609.

-----. "What's Happened to Ideology? Transnationalism, Postsocialism, and the Study of Global Media Culture." Working Papers in Asian/Pacific Studies. Durham: Duke University, 1998. [focuses on "Beijingers in New York"]

Liu, Tsu'un-yan. Chinese Middlebrow Fiction From the Ch'ing and Early Republican Era. HK: Chinese UP, 1984.

Lo, Kwai-cheung. "Giant Panda and Mickey Mouse: Transnational Objects of Fantasy in Post-1997 Hong Kong." Comparative and Interdisciplinary Research on Asia, UCLC. [draft essay, not for citing]

London, Miriam and Mu Yang-jen. "What Are They Reading in China?" Saturday Review 30 (Sept. 1978): 42-43.

Lu, Chao. "Popular Novels Leave Serious Stuff Standing." China Daily (Sept. 2, 1986).

Lu, Sheldon H. "Popular Culture: Toward and Historical and Dialectical Method." In Lu, ed., China, Trannational Visuality, Global Postmodernity. Stanford: Stanford UP, 2002. 195-212.

Luo Liqun. Zhongguo wuxia xiaoshuo shi (History of Chinese martial arts fiction). Shenyang: Liaoning renmin, 1990.

McDougall, Bonnie, ed. Popular Chinese Literature and Performing Arts in the People's Republic of China. Berkeley: UCP, 1984.

Ming, Feng-ying. "Baoyu in Wonderland: Technological Utopia in th Early Modern Chinese Science Fiction Novel." In Ying-jin Zhang, ed., China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1999, 152-72.

Movius, L. Popular Culture, Social Change and Political Reaction in Post-Reform China (posted at the Guide to Chinese Popular Culture site)

Ng, Mau-sang. "Women, Work and Identity: A Study of Two 1930s Novels on the Opera Singer." In Liu and David Faure, eds., Unity and Diversity: Local Cultures and Identities in China. HK: HKUP, 1996, 125-38.

-----. "A Common People's Literature: Popular Fiction and Social Change in Republican China." East Asian History 9 (June 1995): 1-22.

-----. "The Crystal and May Fourth Taste Culture." In M. Galik, ed., Interliterary and Intraliterary Aspects of the May Fourth Movement 1919 in China. Bratislava: Slovak Academy of Sciences, 1990. Pp. 167-78 -about the tabloid journal Jingbao.

Pang, Laikwan. "Magic and Modernity in China." positions: east asia cultures critiques 12, 2 (Fall 2004): 299-328.

Pickowicz, Paul. "The Theme of Spiritual Pollution in Chinese Films of the 1930s." Modern China 17, 1 (January 1991): 38-75.

Pollard, David. "Jules Verne, Science Fiction and Related Matters." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 177-208.

Sang Ye. "Beam Me Up." Tr. Geremie Barme. Humanities Research 2 (1999).

Shapiro, Hugh. "The Puzzle of Spermatorrhea in Republican China." Positions 6, 3 (Winter 1998): 551-596.

Shen, Kuiyi. "Comics, Picture Books, and Cartoonists in Republican China." Inks: Comic and Comic Art Studies 4, 3 (Nov. 1997): 2-16.

Stanley, Nick and Siu King Chung. "Representing the Past as the Future: The Shenzhen Chinese Folk Culture Villages and the Making of Chinese Identity." Journal of Museum Ethnography 7 (1995): 25-40.

Tam, King-fai. "The Detective Fiction of Ch'eng Hsiao-ch'ing." Asia Major 5, 1 (1992): 113-32.

Tang, Xiaobing. "New Urban Culture and the Anxiety of Everyday Life in Contemporary China." In Xiaobing Tang and Stephen Snyder, eds., In Pursuit of Contemporary East Asian Culture. Boulder: Westview Press, 1996, 107-22.

Taylor, Jeremy. From "Hello Kitty" to Hot-Springs: Nostalgia and the Japanese Past in Taiwan. Bochum: Cathay Skripten, Taiwan Studies Series, 2001.

[Abstract: In the summers of 1998 and 1999, something of a storm was brewing in Taiwan over the issue of a cartoon character. Hello Kitty, or Kaidi Mao, as she was known in the official Mandarin Chinese language of the island, was at the centre of a debate about issues that seemed way beyond her depth. As Taiwanese students sought to adorn themselves with all kinds of Hello Kitty paraphernalia, intellectual circles were busy either deriding the trend or discussing, in all seriousness, how it reflected Japanese "cultural imperialism" and a dangerous threat to the well-being of Taiwan as a whole. The paper explores other manifestations of a Japanese presence in Taiwan that have instead been looked upon with favour and nostalgia. How is it that a cartoon character has been accused of lying behind a new form of "cultural colonialism", when at the same time, the physical relics that Japanese colonialism left in Taiwan in the early decades of the twentieth century have today become such popular sites of nostalgic tourism? The answers to these questions lie at least in part in Taiwan's experience with modernity, particularly as it existed under Japanese colonial rule, and indeed, the way in which so much of the Japanese colonial experience eventually became internalised in Taiwan.]

Wagner, Rudolf. "Lobby Literature: The Archaelology and Present Functions of Science Fiction in China." In Jeffrey Kinkley, ed., After Mao: Chinese Literature and Society, 1978-1981. Cambridge, MA: Council on East Asian Studies, Harvard University, 1985, 17-62.

Wang, Jing. "The State Question in Chinese Popular Cultural Studies." Inter-Asia Cultural Studies 2, 1 (2001): 35-52.

-----. "Culture as Leisure and Culture as Capital." positions 9, 1 (Spring 2001): 69-104.

Wei Shaochang ed. Yuanyang hudie pai yanjiu ziliao. 2 vols. Shanghai: Wenyi, 1982.

Wong, Timothy C. “What’s in the Name?” In Wong, ed./tr., Stories for Saturday: Twentieth Century Chinese Popular Fiction. Honolulu: University of Hawaii Press, 2003, 229-44.

Wu, Dingbo and Patrick Murphy, eds. Handbook of Chinese Popular Culture. Westport, Ct.: Greenwood Press, 1994.

-----. "Chinese Science Fiction." In Dingbo Wu and Patrick Murphy, eds., Handbook of Chinese Popular Culture. Westport: Greenwood Press, 1984, 257-77.

Wu Yu, Liang Licheng, and Wang Daozhi. Minguo hei shehui (Underworld society in Republican China). Nanjing: Jiangsu guji, 1988.

Ye, Xiaoqing. Popular Culture in Shanghai, 1884-1898. Ph.D. diss. Canberra: Australian National University, 1991.

-----. The Dianshizhai Pictorial: Shanghai Urban Life, 1884-1898. Ann Arbor: Michigan Monographs in Chinese Studies, 2003.

Yeh, Catherine Vance. “Creating the Urban Beauty: The Shanghai Courtesan in Late Qing Illustrations.” In Judith T. Zeitlin and Lydia Liu, with Ellen Widmer, eds., Writing and Materiality in China: Essays in Honor of Patrick Hanan. Cambridge, MA: Harvard University Asia Center, 2003, 397-447.

Yuanyang hudie-- "Libai liu" pai zuopin xuan (Selected works of the Mandarin Ducks and Butterfly and Saturday school). Ed. Fan Boqun. Beijing: Renmin wenxue, 1991.

Yuanyang hudie pai yanqing xiaoshuo jicui (Collection of love stories of the Mandarin Ducks and Butterfly school). 3 vols. Beijing: Zhongyang minzu xueyuan, 1993.

Zha, Jianying. China Pop: How Soap Operas, Tabloids, and Bestsellers Are Transforming a Culture. New York: The New Press, 1995.

Zhang, Zhen. "Mediating Time: The 'Rice Bowl of Youth' in Fin-de-siecle Urban China." In Arjun Appadurai, ed., Globalization. Durham: Duke UP, 2001, 131-54.

Zhao, Bin and Graham Murdock. "Young Pioneers: Children and the Making of Chinese Consumerism." Cultural Studies 10, 2 (1996): 201-17.

Zhao, Yuezhi. "The Rich, the Laid Off, nd the Criminal in Tabloid Tales: Read All about It." In Perry Link, Richard P. Madsen, and Paul G. Pickowicz, eds., Popular China: Unofficial Culture in a Globalizing Society. Lanham, MD: Rowman and Littlefield, 2002, 111-36.

Bichler, Lorenz. "Coming to Terms with a Term: Notes on the History of the Use of Socialist Realism in China." In Chung, ed. In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China. Critical Studies no. 6. Amsterdam: Rodopi, 1996, 30-43.

Chan, Stephen. "Realism as Cultural and Historical Transformation in Post-May Fourth China: Some Preliminary Analyses." Tamkang Review 16, 4 (1986): 363-80.

Chan, Sylvia. "Realism or Socialist Realism? The 'Proletarian' Episode in Modern Chinese Literature." Australian Journal of Chinese Affairs 9 (1983): 55-74.

-----. "Revolutionary Realism: Old Wine in New Bottles or New Wine in Old Bottles?" In Michael Yahuda, ed., New Directions in the Social Sciences and Humanities in China. Houndsmill: McMillan, 1987.

Chang, Shi-kuo. "Realism in Taiwan Fiction: Two Directions." In Faurot, Jeannette L., ed. Chinese Fiction from Taiwan: Critical Perspectives. Bloomington: Indiana UP, 1980, 31-42.

Chen, Xiaoming. "The Disappearance of Truth: From Realism to Modernism in China." In Chung, ed. In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China. Critical Studies no. 6. Amsterdam: Rodopi, 1996, 158-65.

Chung, Hilary, ed. In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany, and China. Amsterdam: Rodopi, 1996.

Duke, Michael S. "Chinese Literature in the Post-Mao Era: The Return of ‘Critical Realism.’" The Bulletin of Concerned Asian Scholars 16, 3 (1984): 2-5.

Huters, Theodore. "Ideologies of Realism in Modern China: The Hard Imperatives of Imported Theory." In X. Tang and K. Liu, eds. Politics, Ideology, and Literary Discourse in Modern China: Theoretical Interventions and Cultural Critique. Durham: Duke UP, 1993, 147-52.

Kinkley, Jeffrey. "New Realism in Contemporary Chinese Literature" (review article). JCLTA 17, 1 (1982): 77-100.

Larson, Wendy. "Realism, Modernism, and the Anti-'Spiritual Pollution' Campaign in Modern China." Modern China 15, 1 (Jan. 1989): 37-71.

Li, Qingquan. From Critical Realism to Socialist Realism: A Historical Survey of Realism in Modern Chinese Literature. New York: P. Lang, 1996.

Wagner, Rudolf. "Reading Chairman Mao Memorial Hall in Peking: The Tribulations of the Implied Pilgrim." In Susan Naquin and Yue Chuen-Fang, eds., Pilgrims and Sacred Sites in China. Berkeley: UCP, 1992, 278-346.

Wang, David. Fictional Realism in Twentieth Century China: Mao Dun, Lao She, Shen Congwen. NY: Columbia UP, 1992.

Yang, Lan. "'Socialist Realism' versus 'Revolutionary Realism plus Revolutionary Romanticism.'" In Chung, ed. In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China. Critical Studies no. 6. Amsterdam: Rodopi, 1996, 88-105.

Chang, Parrish H. "Children's Literature and Political Socialization." In Godwin Chu and Francis Hsu, eds., Moving a Mountain. Honolulu: University of Hawaii Press, 1979, 237-56.

Farquhar, Mary Ann. "Revolutionary Children's Literature." Australian Journal of Chinese Studies 4 (1980): 61-84.

-----. "Through the Looking Glass: Children's Stories and Social Change in China, 1918-1976." In Gungwu Wang, ed., Society and the Writer: Essays on Literature in Modern Asia. Canberra: Research School of Pacific Studies, The Australian National University, 1981, 173-198.

-----. Children's Literature in China: From Lu Xun to Mao Zedong. Armonk: M.E. Sharpe, 1998.

Kinney, Anne Behnke, ed. Chinese Views of Childhood. Honolulu: University of Hawaii Press, 1995.

Berry, Michael. "The Translator's Studio: A Dialogue with Howard Goldblatt." Persimmon 3, 2 (Summer 2002): 18-25.

Carver, Ann. "Can One Read Cross-Culturally." In Ann Carver and Sung-sheng Yvonne Chang, eds., Bamboo Shoots After the Rain: Contemporary Stories by Women Writers in Taiwan. NY: The Feminist Press, 1990, 210-16.

Chen, Kuan-hsing. "The Imperialist Eye: The Cultural Imaginary of a Subempire and a Nation-State." Positions 8, 1 (Spring 2000): 9-76.

Chen, Li-fen. "The Cultural Turn in the Study of Modern Chinese Literature: Rey Chow and Diasporic Self-Writing." MCLC 12, 1 (Spring 2000): 43-80.

Chen, Pingyuan. "Destiny and Options of Contemporary Chinese Scholars of the Humanities." Contemporary Chinese Thought 29, 2 (Winter 1997/98): 5-28.

Chen, Xiaoming. "Antiradicalism and the Historical Situation of Contemporary Chinese Intellectuals." Contemporary Chinese Thought 29, 2 (Winter 1997/98): 29-44.

Chow, Rey. "The Politics and Pedagogy of Asian Literatures in American Universities." In Chow, Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Bloomington: IUP, 1993, 120-43.

-----. "Introduction: On Chineseness as a Theoretical Problem." boundary 2 25, 3 (1998): 1-24. Rpt. in Modern Chinese Literary and Cultural Ttudies in the Age of Theory: Reimagining a Field. Durham, NC: Duke University Press, 2000.

-----. ed. Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field. Durham, NC: Duke University Press, 2000. Originally published as special issue of boundary 2 25, 3 (1998).

Davies, Gloria. "Chinese Literary Studies and Post-Structuralist Positions: What Next?" The Australian Journal of Chinese Studies 28 (July 1991): 67-86.

-----. "Theory, Professionalism, and Chinese Studies." MCLC 12, 1 (Spring 2000): 1-42.

Denton, Kirk. "Teaching Modern Chinese Literature in the Post-Modern Era." Journal of Chinese Language Teachers Association. 26, 2 (1991): 1-24.

Dirlik, Arif. "Looking Backward in the Age of Global Capital: Thoughts on History in Third World Cultural Criticism." In Xiaobing Tang and Stephen Snyder, eds., In Pursuit of Contemporary East Asian Culture. Boulder: Westview Press, 1996, 183-216.

Dissanayake, Wimal. "Cultural Studies: The Challenges Ahead For Asian Scholars." Chinese/International Comparative Literature Bulletin 1 (1996): 2-19.

Duke, Michael. "The Problematic Nature of Modern and Contemporary Chinese Fiction in English Translation." In Goldblatt, ed., Worlds Apart: Recent Chinese Writing and Its Audiences. Armonk: M.E. Sharpe, 1990, 198-227.

-----. "Thoughts on Politics and Critical Paradigms in Modern Chinese Literature Studies." Modern China 19, 1 (1993): 41-70.

-----. "Everyday Resistance to Postmodern Theory." Tamkang Review 30, 3 (Spring 2000): 7-50.

Eoyang, Eugene. "Greater China and the Twenty-First Century." Journal of Modern Literature in Chinese 1, 1 (1997): 1-12.

-----. "Tianya, the Ends of the World or the Edge of Heaven: Comparative Literature at the Fin de Siecle." In Yingjin Zhang, ed., China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1999, 218-32.

Fitzgerald, John. "In the Scales of History: Politics and Culture in Twentieth-Century China." Twentieth-Century China 24, 2 (April 1999): 1-28. [with responses and comments by Prasenjit Duara, Tani Barlow, Richard Krauss, William C. Kirby, Jeffrey Wasserstrom, Richard Madsen, and John Fitzgerald]

Galik, Marian. Interliterary and Intraliterary Aspects of the Study of Post-1918 Chinese Literature." In Goldblatt, ed., Worlds Apart: Recent Chinese Writing and Its Audiences. Armonk: M.E. Sharpe, 1990, 231-45.

-----. "Marginalia to the Contemporary Situation in Chinese Comparative Literature Studies." Chinese/International Comparative Literature Bulletin 4/5 (1992): 2-5.

Gunn, Edward. "Recent Trends in Chinese Literary Studies." China Exchange News 21, 3/4 (1993): 2-8.

Hockx, Michel. "Constructing the Innocent Reader: Western Doubts About Modern Chinese Literature." IIAS Yearbook, 1995. Ed. Paul van der Velde. Leiden, 1996.

-----. “Theory as Practice: Modern Chinese Literature and Bourdieu.” In Michel Hockx and Ivo Smits, eds., Reading East Asian Writing: The Limits of Literary Theory. New York and London: RoutledgeCurzon, 2003, 220-39.

Hockx, Michel and Ivo Smits, eds., Reading East Asian Writing: The Limits of Literary Theory. New York and London: RoutledgeCurzon, 2003.

Hsia, C.T. "On the 'Scientific' Study of Modern Chinese Literature--A Reply to Professor Prusek." In Prusek, The Lyrical and the Epic: Studies in Modern Chinese Literature. Bloomington: Indiana UP, 1980, 231-66.

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Liu, Kang. "Politics, Critical Paradigms: Reflections on Modern Chinese Literature Studies." Modern China 19, 1 (1993): 13-40.

-----. "Politics of Interpretation: Changing Paradigms in Modern Chinese Literature Studies." China Report 6 (1991): 1-19.

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-----. “Modern Chinese Literature and Its Critics.” In McDougall, Fictional Authors, Imaginary Audiences: Modern Chinese Literature in the Twentieth Century. HK: Chinese University Press, 2003, 17-43. [deals the perennial question of why Western readers tend not to like modern Chinese literature]

Palumbo-Liu, David. "The Utopias of Discourse: On the Impossibility of Chinese Comparative Literature." In Yingjin Zhang, ed., China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1999, 36-49.

Prusek, Jaroslav. "Basic Problems of the History of Modern Chinese Literature and C. T. Hsia, A History of Modern Chinese Fiction." In Prusek, The Lyrical and the Epic: Studies in Modern Chinese Literature. Bloomington: IUP, 1980, 195-230.

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Wang, Ning. "Chinese Studies in the Age of Globalization: Culture and Literature." The Asianists' Asia 1 (2000).

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-----. "Globalizing Chinese Literature: Toward a Rewriting of Contemporary Chinese Literary Culture." Journal of Contemporary China 13, 38 (Feb. 2004): 53-68.

Abstract: In the age of globalization, intellectuals, writers, critics and literary and cultural studies scholars cannot but take pains to conceive or picture the future orientation of elite literature since elite literature is being challenged by popular literature and culture, and literary studies by Cultural Studies. The present essay tries to describe a new orientation of Chinese literature studies, or more specifically, to observe modern Chinese literature in a broad context of world literature and reach a rewriting of contemporary Chinese literary culture from an international and comparative point of view. In reperiodizing modern Chinese literature, the author points out that in the global age, the new framework of world culture in the twenty-first century is characterized by different cultures coming to dialogue and merging to some degree rather than 'cultural conflict'. With this broad background, twentieth century Chinese literature should be re-examined from an international and comparative perspective. The paper also points out that rewriting literary history must be associated with issues of canon formation and reformation, that is, to offer new interpretations from theoretical perspectives of canonical literary works. The author discusses several considerations involved in canon selection: reception and market success, recognition of critical circles, and inclusion in university curriculum.

Wardega, Artur. "Research into Modern Chinese Literature in the Twentieth Century." Chinese Cross Currents 1, 2 (2004): 96-108. [free adaptation of the ideas of Yan Jiayan]

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-----. "The Problem of Bowdlerization in the Translation of 20th-century Chinese Literature." Tamkang Review 27, 4 (Summer 1998): 103-115.

-----, ed. "Outside the Gurus' Sandboxes: Reconsidering Common Assumptions in the Contemporary Study of Modern Chinese Literature." Special issue of Tamkang Review 30, 3 (Spring 2000).

-----. "Can We Paradigm? Re-examining the Mimetic Heresy and Some Other Imbroglios in Recent Western-language Academic Studies of Modern Chinese Literature." Tamkang Review 30, 3 (Spring 2000): 109-146.

-----. "Janus-faced Popularization in 20th-century Chinese Fiction: A Critical Quandary." Tamkang Review 31, 3 (Spring 2001): 41-64.

Wu, Yenna. "Pitfalls of the Postcolonialist Rubric in the Study of Modern Chinese Fiction Featuring Cannibalism: From Lu Xun's 'Diary of a Madman' to Mo Yan's Boozeland." Tamkang Review 30, 3 (Spring 2000): 51-88.

Yeh, Michelle. "International Theory and the Transnational Critic: China in the Age of Multiculturalism." Boundary 2. Special Issue ed. Rey Chow. 25, 2 (Fall 1998): 193-222.

-----. "Chinese Postmodernism and the Cultural Politics of Modern Chinese Poetry." Wen-hsin Yeh, ed., Cross-Cultural Readings of Chineseness: Narratives, Images, and Interpretations of the 1990s. Berkeley: Center for Chinese Studies, 2000, 100-27.

Yip, Wai-lim. "Reflections on Historical Totality and the Study of Modern Chinese Literature." In Diffusion of Distances: Dialogues between Chinese and Western Poetics. Berkeley: UCP, 1993, 165-83.

Yu, Pauline. "Disorientations: Chinese Literature in the American University." Surfaces 5 (1995).

Yue Daiyun, "Standing at a Theoretical Crossroads: Western Literary Theories in China." China Exchange News 21, 3/4 (1993): 8-12.

-----. "Cultural Discourse and Cultural Intercourse." In Masayuki Akiyama and Yiu-nam Leung, eds., Crosscurrents in the literatures of Asia and the West: Essays in Honor of A. Owen Aldridge. Newark: University of Delaware Press; London; Cranbury, NJ: Associated University Presses, 1997, 33-39.

Zhang, Longxi. "Western Theory and Chinese Reality." Critical Inquiry 19, 1 (Autumn 1992).

-----. "Out of the Cultural Ghetto: Theory, Politics, and the Study of Chinese Literature." Modern China 19, 1 (1993): 71-101.

-----. Might Opposites: From Dichotomies to Differences in the Comparative Study of China. Stanford: SUP, 1999.

-----. "The Challenge of East-West Comparative Literature." In Yingjin Zhang, ed., China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1999, 21-35.

Zhang, Yingjin. "Re-envisioning the Institution of Modern Chinese Literature Studies: Strategies of Positionality and Self-Reflexivity." Positions 1, 3 (1993): 816-32.

-----. "The Institutionalization of Modern Chinese Literary History, 1922-1980." Modern China 20, 3 (1994): 347-77.

Zhou, Xiaoyi and Q.S. Tong. "Comparative Literature in China." Comparative Literature and Culture: A WWWeb Journal. 2, 4 (2000).

Chen, Xiaomei. "Misunderstanding Western Modernism: The Menglong Movement in Post-Mao China." Representations 35 (Summer 1991): 143-63. Rpt. in Chen, Occidentalism: A Theory of Counter-Discourse in Post-Mao China. NY: Oxford UP, 1995, 69-98.

Cheung, Dominic. "New Directions in Contemporary Chinese Poetry." In Wai-lim Yip, ed., Chinese Arts and Literature: A Survey of Recent Trends. Occasional Papers/Reprint Series in Contemporary Asian Studies. Baltimore, 1977, 59-68.

-----. "The Continuity of Modern Chinese Poetry in Taiwan." World Literature Today 65, 3 (1991): 399-404.

Chong, Woei Lien. "Some Problems of Modern Chinese Poetry: A Conversation Between Lloyd Haft and Leo Ou-fan Lee." China Information 7, 1 (1992): 40-46.

Crespi, John. A Vocal Minority: New Poetry and Poetry Declamation in China, 1915-1975. Ph.d. diss. Chicago: University of Chicago, 2000.

-----. "Calculated Passions: The Lyric and the Theatric in Mao-era Poetry Recitation." Modern Chinese Literature and Culture 13, 2 (Fall 2001): 72-110.

-----. "Form and Reform: New Poetry and the Crescent Moon Society." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 364-70.

Day, Michael. "Poetry." Digital Archive for Chinese Studies (DACHS), Leiden Division. [study of contemporary Chinese poetry websites]

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Haft, Lloyd, ed. A Selective Guide to Chinese Literature, 1900-1949: The Poem. Leiden: Brill, 1989.

-----. "Terms for the Turning: Some Remarks on the Prose-Verse Dichotomy." Journal of Modern Literature in Chinese 3, 2 (January 2000): 1-5.

-----. The Chinese Sonnet. Meanings of a Form. Leiden, CNWS Publications No. 69, 2000. [Discussing more than 50 poems spanning the period from the 1920s to the present, Haft develops analytic strategies which bring out the expressive dimensions of the Chinese sonnet as well as its legitimate claim to 'Chineseness.'All poems are discussed in English translation as well as in the original Chinese; they include works by Zhu Xiang, Feng Zhi, Bian Zhilin, Zhang Cuo and Zheng Min]

Hockx, Michel. Snowy Morning: Eight Chinese Poets on the Road to Modernity. Leiden, 1994.

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-----. "Contemporary Chinese Poetry and Its Search for an Ideal Form." In Bonnie McDougall, ed. Popular Chinese Literature and Performing Arts in the PRC, 1949-1979. Berkeley: UCP, 1984, 224-65.

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-----. “The Translator’s Invisible Hand: The Problems in the Introduction of Contemporary Chinese Poetry.” River City: A Journal of Contemporary Culture 16, 1 (1996): 68-81.

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Kubin, Wolfgang. "The End of the Prophet: Chinese Poetry Between Modernity and Postmodernity." In Larson et al eds., Inside Out: Modernism and Postmodernism in Chinese Literary Culture. Aarhus: Aarhus UP, 1993, 19-37.

-----. "Creator! Destroyer!--On the Self-Image of the Chinese Poet." MCL 9, 2 (1996): 247-60.

Lam, Agnes. "Poetry in Hong Kong: The 1990s." World Literature Today 73, 1 (1999): 53-62.

Larson, Wendy. "Contemporary Chinese Poetry: Erotics, Modernity, and Cultural Essence." In Sung-sheng Yvonne Chang and Michelle Yeh, eds., Contemporary Chinese Literature: Crossing the Boundaries. Special issue of Literature East and West. Austin, TX: Department of Middle Eastern Languages and Cultures, 1995, 89-105.

Lee, Gregory. "Contemporary Chinese Poetry and the Nobel Prize, 1990." [a transcript of a tape-recording of a conversation between Göran Malmqvist and myself which took place on 14th May 1990 in Stockholm]

-----. "Contemporary Chinese Poetry, Exile and the Potential for Modernism." In Gregory Lee, ed., Chinese Writing and Exile. Chicago: Center for East Asian Studies, The University of Chicago, 1993, 55-78.

-----. La Chine et le spectre de l'Occident: Contestation poétique, modernité et métissage. Paris: Editions Syllepse, 2002.

Leung, Ping-kwan. Aesthetics of Opposition: A Study of the Modernist Generation of Chinese Poets, 1936-1949. Ph.d. diss. San Diego: University of California, SD, 1984.

-----. "Modern Hong Kong Poetry: Negotiations of Cultures and the Search for Identity. MCL 9, 2 (1996): 221-46.

Li Fukan and Eva Hung. "Post-Misty Poetry." Renditions 37 (1992): 93-98.

Li, Xia. "Confucius, Playboys and Rusticated Glasperlenspieler: from Classical Chinese Poetry to Postmodernism." Interlitterraria (Tartu, Estonia) 4 (1999): 41-60. (primarily on "misty" and "postmodern" poetry]

Lin, Julia C. Modern Chinese Poetry: An Introduction. Seattle: U of Washington P, 1972.

-----. Essays on Contemporary Chinese Poetry. Athens: Ohio UP, 1985.

Liu, David Jason. "Chinese Symbolist Verse in the 1920s: Li Chin-fa and Mu Mu-t'ien." Tamkang Review 12, 1 (1981): 27-53.

Lo, Kwai-cheung. "Writing the Otherness of Nature: Chinese Misty Poetry and the Alternative Modernist Practice." Tamkang Review 29, 2 (1998): 87-117.

Loi, Michelle. Poetes chinois d'ecoles francaises. Paris: Librairie d'Amerique et d'Orient Adrien Maisonneuve, 1980.

Malmqvist, Goran. "On the Emergence of Modernistic Poetry in China." Bulletin of the Museum of Far Eastern Antiquities 55 (1983): 57-71.

-----. "On the Develpment of Modern Taiwanese Poetry." Archiv Orientalni 67, 3 (1999): 311-22.

Manfredi, Paul. "Great Expectations: Self, Form, and the First Modern Chinese Poem." Modern Chinese Literature and Culture 13, 2 (Fall 2001): 1-29.

-----. “Writing the Influenced Text: Modern Chinese Symbolist Poetry.” Journal of Modern Literature in Chinese 5, 2 (2002): 1-28.

Marijnissen, Silvia. "'Made Things': Serial Form in Modern Poetry from Taiwan." Modern Chinese Literature and Culture 13, 2 (Fall 2001): 172-206.

McDougall, Bonnie. "Poems, Poets, and Poetry 1976: An Exercise in the Typology of Modern Chinese Literature." Contemporary China 2, 4 (Winter 1978).

Owen, Stephen. "The Anxiety of Influence: What is Modern Poetry?" New Republic (Nov. 1990): 28-32.

Palandri, Angela Jung. "The Polemics of Post-Mao Poetry: Controversy over Meng-lung shih." Journal of the Chinese Language Teachers Association 19, 3 (1984): 67-86.

Peschel, Sabine. "Chinese Hermetic Lyric Poetry." In Noth, Jochen, et.al., eds. China Avant-garde: Counter-currents in Art and Culture. HK, New York: Oxford University Press, 1994, 69-71.

Schwartz, Leonard. "Contemporary Chinese Poetry and the Experience of the Sacred: Three Chinese Poets." Journal of Chinese Religions 23 (1996): 95-104.

Song, Xianlin. "Post-Mao New Poetry and 'Occidentalism.'" East Asia 18, 1 (Spring 2000): 61-81.

Su Wei and Wendy Larson. "The Disintegration of the Poetic 'Berlin Wall.'" In Deborah Davis, et. al, eds. Urban Spaces in Contemporary China: The Potential for Autonomy and Community in Post-Mao China. Cambridge: Cambridge UP, 1995, 279-95.

Tan, Chung. "Tagore's Inspiration in China's New Poetry." In Tan Chung, ed., Across the Himalayan Gap: An Indian Quest for Understanding China. New Delhi: Indira Gandhi National Centre for the Arts, 1998.

Tang, Xiaobing. "Poetic Revolution: Colonialization and Form at the Beginning of Modern Chinese Literature." In Rebecca E. Karl and Peter Zarrow, eds., Rethinking the 1898 Reform Period: Political and Cultural Change om Late Qing China. Cambridge: Havard UP, 2002, 245-65.

Tao, Naikan. "Going Beyond: Post-Menglong Poets." The Journal of the Oriental Society of Australia 27/28 (1995/96): 146-53.

Twitchell, Jeffrey and Huang Fan. "Avant-Garde Poetry in China: The Nanjing Scene 1981-1992." World Literature Today 71.1 (1997): 29-35.

van Crevel, Maghiel. “The Horror of Being Ignored and the Pleasure of Being Left Alone: Notes on the Chinese Poetry Scene.” MCLC Resource Center Publication (April 2003).

-----. Language Shattered: Contemporary Chinese Poetry and Duoduo. Leiden: CNWS Research School, 1996. [the first half of the book is a general overview of the poetry of the PRC]

-----. "Underground Poetry in the 1960s and 1970s." Modern Chinese Literature 9, 2 (1996):169-220.

Wang, Ping. "Introduction" (excerpts). The New Chinese Avant-Garde Poetry, 1982-1992.

Weinberger, Eliot. "A Few Don't for Chinese Poets." In Works on Paper. NY: New Directions, 1986, 70-76.

Wong, Yoon Wah. “The ‘New Tide’ That Came from America.” In Wong, Essays on Chinese Literature. Singapore: Singapore University Press, 1988, 28-39.

-----. “The ‘New Tide’ That Came from America.” In Wong, Essays on Chinese Literature. Singapore: Singapore University Press, 1988, 39-51.

Yan, Li. "Modern Chinese Lyric Poetry." In Noth, Jochen, et.al., eds. China Avant-garde: Counter-currents in Art and Culture. HK, New York: Oxford University Press, 1994, 72-73.

Yang, Vincent. "From French Symbolism to Chinese Symbolism: A Literary Influence." Tamkang Review 17, 3 (1987): 221-44.

Yeh, Michelle. "Taoism and Modern Chinese Poetry." Journal of Chinese Philosophy 15 (1988): 173-97.

-----. Modern Chinese Poetry: Theory and Practice since 1917. New Haven: Yale UP, 1991.

-----. "Light a Lamp in a Rock: Experimental Poetry in Contemporary China." Modern China 18, 4 (1992): 379-409.

-----. "The 'Cult of Poetry' in Contemporary China." JAS 55, 1 (1996): 51-80. Rpt. in Yingjin Zhang, ed., China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1999, 188-217.

-----. "Nature's Child and the Frustrated Urbanite: Expressions of the Self in Contemporary Chinese Poetry." World Literature Today (Summer 1991): 405-09.

-----. "Death of the Poet: Poetry and Society in Contemporary China and Taiwan." In Sung-sheng Yvonne Chang and Michelle Yeh, eds., Contemporary Chinese Literature: Crossing the Boundaries. Special issue of Literature East and West. Austin, TX: Department of Middle Eastern Languages and Cultures, 1995, 43-62. Rpt. in Pang-yuan Chi and David Wang, eds., Chinese Literature in the Second Half of the Twentieth Century: A Critical Survey. Bloomington: Indiana UP, 2000, 216-38.

-----. "Chinese Postmodernism and the Cultural Politics of Modern Chinese Poetry." Wen-hsin Yeh, ed., Cross-Cultural Readings of Chineseness: Narratives, Images, and Interpretations of the 1990s. Berkeley: Center for Chinese Studies, 2000, 100-27.

-----. "From Surrealism to Nature Poetics: A Study of Prose Poetry from Taiwan." Journal of Modern Literature in Chinese 3, 2 (Jan. 2000): 117-56.

-----. "Modern Poetry." In Victor H. Mair, ed. The Columbia History of Chinese Literature. NY: Columbia UP, 2001, 453-65.

-----. “A New Orientation to Poetry: the Transition from Traditional to Modern Chinese Poetry in the May Fourth Era.” In Marian Galik, ed., Interliterary and Intraliterary Aspects of the May Fourth Movement 1919 in China. Bratislava: Veda, 1990, 93-100.

-----. "Modern Poetry of Taiwan." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 561-69.

-----. "Misty Poetry." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 520-26.

Yip, Wai-lim. "Crisis Poetry: An Introduction to Yang Lian, Jiang He and Misty Poetry." Renditions 23 (1985): 120-30.

-----. Lyrics from Shelters: Modern Chinese Poetry, 1930-1950. NY: Garland, 1992.

Yu Guangzhong (Yu Kwang-chung) . "Chinese Poetry in Taiwan." The Chinese Pen (Autumn, 1972): 42-65.

Zhang, Zao. "Development and Continuity of Modernism in Chinese Poetry Since 1917." In Larson and Wedell-Wedellsborg, eds. Inside Out: Modernism and Postmodernism in Chinese Literary Culture. Aarhus: Aarhus UP, 1993, 38-59.

Zhang, Ziqing. "The New Zen Poetry in China." Talisman 13 (1994/95): 154-158.

Budde, Antje. "The Theatre in China." In In Jochen Noth et.al., eds., China Avant-garde: Counter-currents in Art and Culture. HK, New York: Oxford University Press, 1994, 74-75.

Chen Baichen and Dong Jian. Zhongguo xiandai xiju shi (The history of modern Chinese drama). Beijing: Zhongguo xiju, 1989.

Chen, Xiaomei. "Fathers and Daughters in Early Modern Chinese Drama--On the Problematics of Feminist Discourse in Cross-Cultural Perspective." Papers in Comparative Studies. Columbus: The Ohio State University, 1992, 205-22. Rpt. in Chen, Occidentalism: A Theory of Counter-Discourse in Post-Mao China. NY: Oxford UP, 1995, 137-67.

-----. "Women as Dramatic Other in the Body Politics of Post-Mao Theater." In D. Kaminski, et.al, eds. China's Perception of Peace, War, and the World. Wien: Ludwig Bolzmann Institut fur China, 1997, 160-67.

-----. "A Stage of Their Own: Feminism, Countervoices, and the Problematics of Women's Theater." Journal of Asian Studies 56, 1 (1997): 3-25.

----. "Feminism, Countevoices, and the Utterance of Women as Dramatic Other in Post-Mao Theater." Canadian Review of Comparative Literature 29, 1 (Winter 1997): 819-28.

-----. "Audience, Applause, and Countertheater: Border Crossing in 'Social Problem' Plays in Post-Mao China." New Literary History 29 (1998): 101-20.

-----. "Modern Stage in Search of a Tradition: The Dynamics of Form and Content in 1990s Chinese Theater." Asian Theater Journal 18, 2 (2001): 200-21.

-----. "Modern Chinese Spoken Drama." The Columbia History of Chinese Literature. Ed. Victor H. Mair. NY: Columbia UP, 2001, 848-77.

-----. "The Making of a Revolutionary Stage: Chinese Model Theater and Western Influences." In Claire Sponsler and Xiaomei Chen, eds., East of West: Cross-cultural Performance and the Staging of Difference. NY: St. Martin's Press, 2001, 125-40.

----- Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002. [MCLC Resource Center review by Ruru Li]

----. "Operatic Revolutions: Tradition, Memory, and Women in Model Theater." In Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 73-158.

-----. "Family, Village, Nation/State, and the Third World: The Imagined Communities in Model Theater." In Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 159-194.

-----. "Audience, Applause, and Actor: Border Crossing in Social Problem Plays." In Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 195-234.

-----. "A Stage of Their Own: Feminism, Countervoices, and the Problematic of Women's Theater." In Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 235-60.

-----. "From Discontented Mother to Woman Warrior: Body Politics in Post-Maoist Theater." In Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 261-90.

-----. "A Stage in Search of a Tradition: The Dynamics of Form and Content in Post-Maoist Theater." Asian Theatre Journal 18, 2 (2001): 200-21. [Project Muse link]. Also in Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 291-330.

-----. "Twentieth-Century Spoken Drama." In Victor H. Mair, ed. The Columbia History of Chinese Literature. NY: Columbia UP, 2001, 848-77.

-----. "Performing the Nation: Modern Spoken Drama." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 437-45.

Cheng, Yinghong. "Che Guevara: Dramatizing China's Divided Intelligentsia at the Turn of the Century." Modern Chinese Literature and Culture 15, 2 (Fall 2003): 1-44.

Chin, Luke Kai-hsin. The Politics of Drama Reform in China after 1949: Elite Strategies of Resocialization. Ph. D. diss. NY: New York University, 1980.

Chou, Katherine Hui-ling. Staging Revolution: Actresses, Realism, and the New Woman Movement in Chinese Spoken Drama and Film, 1919-1949. Ph.D. diss. New York University, 1997.

Chung, Mingder. The Little Theatre Movement of Taiwan (1980-1989): In Search of Alternative Aesthetics and Politics. Ph.D. diss. NY: New York University, 1992.

Conceison, Claire. "The Main Melody Campaign in Chinese Spoken Drama." Asian Theatre Journal 11, 2 (Fall 1994): 190-212.

-----. "International Casting in Chinese Plays: A Tale of Two Cites." Theater Journal 53, 2 (2001): 277-90. [Project Muse link]

-----. "Hot Tickets: China's New Generation Takes the Stage." Persimmon 3, 1 (Spring 2002): 18-27.

Conceison, Claire. “Fleshing out the Dramaturgy of Gao Xingjian.” MCLC Resource Center Publication (Dec. 2002).

-----. Significant Other: Staging the American in China. Honolulu: University of Hawaii Press, 2004.

Dai Jiafang. Yangbanxi de fengfengyunyun: Jiang Qing, yangbanxi ji neimu (The storm around model drama: Jiang Qing, model drama, and behind the scenes). Beijing: Zhonghua gongshang lianhe, 1994

Davis, A.R. "Out of 'Uncle Tom's Cabin,' Tokyo 1907: A Preliminary Look at the Beginnings of the Spoken Drama in China." Journal of the Oriental Society of Australia 6, 1/2 (1968/69): 33-49.

Denton, Kirk A. "Model Drama as Myth: A Semiotic Analysis of Taking Tiger Mountain By Strategy." In C. Tung, ed. Drama in the People's Republic of China. Albany: SUNY Press, 1987, 119-36.

Diamond, Catherine. The Role of Cross-Cultural Adaptation in the Little Theatre Movement in Taiwan. Ph.D. diss. Seattle: University of Washington, 1993.

-----. "The Masking and Unmasking of the Yu Theatre Ensemble." Asian Theatre Journal 10, 1 (1993): 101-14.

-----. "Cracks in the Arch of Illusion: Contemporary Experiments in Taiwan's Peking Opera." Theatre Research International 20, 3 (1995): 237-54.

-----. "Reflected and Refracted: Metatheatrics in Taiwan." Journal of Dramatic Theory and Criticism 9, 2 (1995): 84-96.

Dittmer, Lowell. "Radical Ideology and Chinese Political Culture: An Analysis of the Revolutionary Yangbanxi." In Richard Wilson, Sidney Greenblatt, Amy Wilson, eds., Moral Behaviour in Chinese Society. NY: Praeger, 1981, 126-51.

Ding, Yangzhong. "Brecht's Theatre and Chinese Drama." In A. Tatlow and Tak-Wai Wong, eds., Brecht and East Asian Theatre. HK: HKUP, 1982, 28-45.

Du, Wenwei. "Xiaopin: Chinese Theatrical Skits as Both Creatures and Critics of Commercialism." CQ 154 (June 1998): 382-99.

Eberstein, Bernd. Das Chinesische Theater im 20. Jahrhundert (Chinese theater in the twentieth century). Weisbaden: Otto Harrassowitz, 1983.

Fei, Faye C. "Dramatizing the West in Chinese Spoken Drama." Asian Theatre Journal 15, 1 (Spring 1998): 102-16.

Arguing from Foucault's theory of the "disappearing author," Faye C. Fei claims that Chinese playwrights do not place individualistic signatures on their work, a phenomenon particularly noticeable in plays dealing with China's foreign relations of the 1949-76 period. She investigates the anti-imperialist huaju drama of that era, during which the outside world was perceived according to Maoist doctrine as the enemy and foreigners were considered "devils."

Fleming, Brent Leonard. Theatre Management Procedures: An Operations Manual for the Cultural Center Theatres in Taiwan, the Republic of China. Ph.D.diss. Texas Technical University, 1987.

Goldstein, Joshua. "Mei Lanfang and the Nationalization of Peking Opera, 1912-1930." positions: east asia cultures critique 7, 2 (1999) 377-420.

Gunn, Edward. "Shanghai's 'Orphan Island' and the Development of Modern Drama." In Bonnie McDougall, ed. Popular Chinese Literature and Performing Arts in the PRC, 1949-1979. Berkeley: UCP, 1984, 36-53.

Howard, Roger. Contemporary Chinese Theatre. London: Heinemann, 1978.

Hung, Chang-tai. "Female Symbols of Resistance in Chinese Wartime Spoken Drama." Modern China 15 (April 1989): 149-177.

Huot, Clair. "Away from Literature II: Words Acted Out." In Huot, China's New Cultural Scene: A Handbook of Changes. Durham: Duke University Press, 2000, 72-90.

Jiang, David. "Shanghai Revisited: Chinese Theatre and the Forces of the Market." The Drama Review 38, 2 (1994): 72-80.

Judd, Ellen. "Prescriptive Dramatic Theory of the Cultural Revolution." In C. Tung and C. MacKerras, eds., Drama in the People's Republic of China. Albany: SUNY, 1987, 95-118.

Kuoshu, Harry. Lightness of Being in China: Adaptation and Discursive Figuration in Cinema and Theater. New York: Peter Lang, 1999.

Lai, Stan. "Specifying the Universal." TDR: The Drama Review: A Journal of Performance Studies 38, 2 (1994): 33-37.

Li, Ruru. "Sino the Times: Three Spoken Drama Productions on the Beijing Stage." The Drama Review 45, 2 (2001). [deals with three recent drama
productions in the PRC: a production of Gogol's The Inspector General; Boundless Love, the play about the Ming literatus Li Yu; and Che Guevara; downloadable pdf file of entire article available here]

-----. "Millenium Shashibiya: Where Does Shakespeare Stand in Today's China." [unpublished paper for the Shakespeare Performance in the New Asias conference, National University of Singapore, June 28-30, 2002]

Li, Siu Leung. Cross-Dressing in Chinese Opera. HK: HK University Press, 2003.

Lilley, Rozanna. Staging Hong Kong: Gender and Performance in Transition. Richmond, Surrey: Curzon, 1998.

Lin, Fengxia. The Memoirs of Lin Fengxia. Ed./tr. John Chinnery. Oxford: Oxford UP, 2002. ["Lin Fengxia (1927-1998), one of the most celebrated actresses of the last fifty years, grew up and came of age during some of the most dramatic episodes in Chinese history. Her memoirs provide a balanced, unsentimental view of China's history in this century as well as a record of the important Chinese theatre known as pingju."--from Oxford UP catalogue]

Mackerras, Colin. The Chinese Theatre in Modern Times: From 1840 to the Present Day. London: Thames and Hudson, 1975.

-----. The Performing Arts in Contemporary China. London: Routledge and Kegan Paul, 1981.

-----. "The Taming of the Shrew: Chinese Theatre and Social Change Since Mao." Australian Journal of Chinese Affairs 1 (1979): 1-18.

-----. "Drama and Politics in Mainland China, 1976-89." In Bih-jaw Lin, ed. Post-Mao Sociopolitical Changes in Mainland China: The Literary Perspective. Taibei: Institute of International Relations, National Chengchi University, 1991, 109-38.

Meng, Jinghui. "Beijing's Experimental Theatre." In Noth, Jochen, et.al., eds. China Avant-garde: Counter-currents in Art and Culture. HK, New York: Oxford University Press, 1994, 76-79.

Modern Chinese Drama [contains plots synopsis of some 20 modern Chinese spoken dramas]

Mowry, Hua-yuan Li. Yang-pan hsi--New Theater in China. Berkeley: Center for Chinese Studies, University of California, 1973.

Pan, Ping. "Triumphant Dancing in Chains: Two Productions of Chinese Huaju Plays in the Late 1980s." Asian Theatre Journal 16, 1 (Spring 1999): 107-20.

Elsewhere in this issue the subject of political repression of classical Chinese theatre is addressed. More likely to be the target of such hard-line censorship is the modern spoken drama (huaju). Two important examples of plays that found themselves the subject of scrutiny are Doggy Man Nirvana and Stories of Mulberry Plot Village, both premiered during the 1980s. Ping Pan here discusses how each work successfully found a way around the suppressive political campaign.

Salter, Denis. "China's Theatre of Dissent: A Conversation with Mou Sen and Wu Wenguang." Asian Theatre Journal 13, 2 (Fall 1996): 218-228.

Mou Sen, thirty-two, is the artistic director of the Beijing-based Xi Ju Che Jian ("Garage Theatre"). His production of File Zero, based on the documentary poem of the same title (Ling Dang An) by the thirty-nine-year-old avant-garde poet Yu Jian, has toured, since its premiere at the Kunsten Festival des Arts in Brussels in May 1994, to fifteen cities throughout Europe and Canada. Plans are under way for an extensive U.S. tour in 1996. Complicated negotiations are taking place to present File Zero in mainland China, as well, where its subtextual critique of dominant ideologies--in combination with its unique stylistic mixture of documentary realism and symbolic stage images--are guaranteed to make it controversial. In this interview, Denis Salter speaks both to Mou Sen and to the actor (and sometime documentary filmmaker) Wu Wenguang, who narrates one of four bureaucratic "files" or personal stories that make up the dramatic structure of File Zero.

Scott, A.C. Actors are Madmen: A Notebook of a Theatergoer in China. Madison: Univesity of Wisconsin Press, 1982.

Tam, Kwok-kan. "Ibsen and Modern Chinese Dramatists: Influences and Parallels." Modern Chinese Literature 2 (1986): 45-62.

Tschanz, Dietrich. "The New Drama before the New Drama: Drama Journals and Drama Reform in Shanghai before the May Fourth Movement." Theatre InSight 10, 1 (1999): 49-59.

Tung, Constantine, and Colin MacKerras, ed. Drama in the People's Republic of China. Albany: SUNY Press, 1987.

Vittinghoff, Natascha. "China’s Generation X: Rusticated Red Guards in Controversial Contemporary Plays." In Woei Lian Chong, ed., China’s Great Proletarian Cultural Revolution: Master Narratives and Post-Mao Counternarratives. Lanham: Rowman and Littlefield, 2002, 285-318. [discusses Sha Yexin’s New Sprouts from the Borderlands, Wang Peigong’s We, and Xun Pinli’s Yesterday’s Longan Trees]

Wagner, Rudolf. The Contemporary Chinese Historical Drama: Four Studies. Berkeley: UCP, 1991. [discusses Tian Han's plays Xie Yaohuan and Guan Hanqing, among others]

-----. "Culture and Code. Historical Fiction in a Socialist Environment: The GDR and China." In Hilary Chung, ed., In the Party Spirit. Socialist Realism and Literary Practice in the Soviet Union, East Germany and China. Editions Rodopi: Amsterdam/Atlanta 1996, 129-140. [compares historical drama in PRC and GDR]

Weinstein, John B. "Multilingual Theater in Contemporary Taiwan." Asian Theatre Journal 17, 2 (2000): 269-83. [Project Muse link]

Yan, Haiping. "Male Ideology and Female Identity: Images of Women in Four Modern Chinese Historical Plays." In Helene Keyssar, ed., Feminst Theater and Theory. NY: St. Martin's Press, 1996.

Yang, Daniel S.P. "Theater Activities in Post-Cultural Revolution China." In C. Tung and C. Mackerras, eds., Drama in the People's Republic of China. Albany: SUNY Press, 1987, 164-80.

Yang, Ling. "The Last Three Years." Beijing Review 52, 7 (1979): 26.

Yip, Terry Sin-han. "Goethe's Impact on Modern Chinese Drama." Modern Chinese Literature 2 (1986): 29-43.

Zhongguo zuoyi xijujia lianmeng shiliao ji (Historical materials of the Chinese left-wing dramatists association). Beijing: Zhongguo xiju, 1991.

Croll, Elizabeth. "Gendered Moments and Inscripted Memories: Girlhood in Twentieth-century Chinese Autobiography." In Selma Leydesdorff, Luisa Passerini, and Paul Thompson, eds., Gender and Memory. New York: Oxford University Press, 1996, 117-32.

Howard, Richard. "Modern Chinese Biographical Writing." Journal of Asian Studies 21, 4 (1962): 465-75.

Laughlin, Charles. Chinese Reportage: The Aesthetics of Historical Experience. Durham: Duke University Press, 2002. [MCLC Resource Center Publication review by Susan Daruvala]

-----. "Estrangement from the Art of Fact: The Fate of Reportage in a Changing China." China Exchange News 21, 3/4 (Fall/Winter 1993): 20-22.

-----. Narrating the Nation: The Aesthetics of Historical Experience in Chinese Reportage, 1919-1966. Ph.D. diss. NY: Columbia University, 1996.

-----. "Narrative Subjectivity and the Production of Social Space in Chinese Reportage." Boundary 2. Special Issue ed. Rey Chow. 25, 2 (Fall 1998): 25-46. Rpt. in Rey Chow, ed. Modern Chinese Literary Studies in the Age of Theory: Reimagining a Field. Durham: Duke UP, 2000.

-----. "Incongruous Lyricism: Liu Baiyu, Yang Shuo and sanwen in Chinese Socialist Culture." In Martin Woesler, ed., The Modern Chinese Literary Essay: Defining the Chinese Self in the 20th Century. Bochum: Bochum UP, 2000, 115-29.

Li, Xia. "Perilous Journeys and Archetypal Encounters: Critical Observations on Chinese Travel Literature." Neohelicon 28, 1 (2001): 247-260.

Moran, Thomas. True Stories: Contemporary Chinese Reportage and Its Ideology and Aesthetic. Ph.D. diss. Ithaca: Cornell University, 1994.

Pollard, David. "Introduction." In Pollard, ed., The Chinese Essay. NY: Columbia UP, 2000, 1-24.

Scoggin, Mary Louise. Ethnography of a Chinese Essay: Zawen in Contemporary China. Ph.D. diss. Chicago: University of Chicago, 1997.

-----. "Mulish Essays: The Genre of Zawen in Contemporary China." In Martin Woesler, ed., The Modern Chinese Literary Essay: Defining the Chinese Self in the 20th Century. Bochum: Bochum UP, 2000, 189-205.

Tam, King-fai. "Discussion of this Chapter: The xiaopin wen between xianshi sanwen and zawen." In Martin Woesler, ed., The Modern Chinese Literary Essay: Defining the Chinese Self in the 20th Century. Bochum: Bochum UP, 2000, 239-41.

Wagner, Rudolf. Inside the Service Trade: Studies in Contemporary Chinese Prose. Cambridge: Council on East Asian Studies, Harvard University, 1992. [focuses primarily on reportage of the 50s and 80s]

Wagner, Alexandra R. Bildnisse des Selbst: die Neumondschule und der moderne chinesische Essay (Images of self: the Crescent Moon Society and the Chinese Essay). Dortmund: Projekt Verlag, 1996.

-----. "Tradition as Construct and the Search for a Modern Identity: A Reading of Traditional Gestures in Modern Chinese Essays of Place." In Martin Woesler, ed., The Modern Chinese Literary Essay: Defining the Chinese Self in the 20th Century. Bochum: Bochum UP, 2000, 133-46. [deals with Yu Dafu, Zhu Ziqing, and Fang Lingru]

Wang, Ban. "From Historical Narrative to the World of Prose: The Essayistic Mode in Contemporary Chinese Literature." In Martin Woesler, ed., The Modern Chinese Literary Essay: Defining the Chinese Self in the 20th Century. Bochum: Bochum UP, 2000, 173-88.

Wang, Jing. Strategies of Modern Chinese Women Writers' Autobiographies. Ph. D. diss. Columbus: The Ohio State University, 2000.

Wang, Lingzhen. Personal Matters: Women's Autobiographical Practice in Twentieth-Century China. Stanford: Stanford UP, 2004.

Wedell-Wedellsborg, Anne. "Confronting Time: Aspects of Temporality in some Recent Chinese Prose." In Soren Clausen, Roy Starrs, and Anne Wedell-Wedellsborg, eds., Cultural Encounters: China, Japan, and the West: Essays Commemorating 25 Years of East Asian studies at the University of Aarhus. Aarhus: Aarhus University Press, 1995, 175-91.

Williams, Philip F. C. "Twentieth-Century Prose." In Victor H. Mair, ed. The Columbia History of Chinese Literature. NY: Columbia UP, 2001, 566-75.

Woesler, Martin.. Geschicte des chinesischen Essays in Moderne und Gegenwart (History of the Chinese essay in modern and contemporary times). Bochum: Multilingual, 1998.

-----. "Introduction: Naming the Unknown Land of the Essay." In Woesler, 20th Century Chinese Essays in Translation. Bochum: Bochum UP, 2000, xv-xlii.

-----. "The 20th Century Chinese Essay -- Characteristics, Actors, and Trends." In Martin Woesler, ed., The Modern Chinese Literary Essay: Defining the Chinese Self in the 20th Century. Bochum: Bochum UP, 2000, 293-310.

-----, ed. The Modern Chinese Literary Essay - Defining the Chinese Self in the 20th Century. Bochum: Bochum University Press, 2000.

Zhang, Yingjing. "Narrative, Ideology, Subjectivity: Defining a Subversive Discourse in Chinese Reportage." In X. Tang and L. Kang, eds. Politics, Ideology, and Literary Discourse in Modern China: Theoretical Interventions and Cultural Critique. Durham: Duke UP, 1993, 211-41.

Chong, Woei Lien. "The Tragic Duality of Man: Lin Xiaobo on Western Philosophy." In Kurt Ladtke and Tony Saich, eds., China's Modernisation: Westernisation and Acculturation. Stuttgart: F. Steiner, 1993, 111-62.

Denton, Kirk A., ed. Modern Chinese Literary Thought: Writings on Literature, 1893-1945. Stanford: SUP, 1996.

Dolezelova-Velingerova, Milena. "Literary Historiography in Early Twentieth-Century China (1904-1928): Construction of Cultural Memory." In Milena Dolezelova-Velingerova and Oldrich Kral, eds., The Appropriation of Cultural Capital: China's May Fourth Project. Cambridge: Harvard University Asia Center, 2001, 123-66.

Edwards, Louise. "Consolidating a Socialist Patriarchy: The Women's Writers' Industry and 'Feminist' Literary Criticism." In Antonia Finnan and Ann McLaren, eds. Dress, Sex and Text in Chinese Culture. Clayton, Australia: Monash Asia Institute, 1999, 183-97.

Fokkema, D.W. Literary Doctrine in China and Soviet Influence, 1956-60. Hague: Mouton, 1965.

Galik, Marian. Mao Dun and Modern Chinese Literary Criticism. Weisbaden: Verner Steiner, 1969.

-----. The Genesis of Modern Chinese Liteary Criticism (1917-1930). London: Curzon Press, 1980.

-----. "Teng Chung-hsia, Yun Tai-ying, Hsiao Ch'u-nu and the Beginning of Concerned Literary Criticism." In Galik, The Genesis of Modern Chinese Literary Criticism, 1917-1930. London: Curzon Press, 1980, 129-41.

-----. "The Comparative Aspects of the Genesis of Modern Chinese Literary Criticism." In Ying-hsiung Chou, ed., The Chinese Text: Studies in Comparative Literature. HK: CUP, 1986, 177-90.

Hsia, C.T. "Yen Fu and Liang Ch'i-ch'ao as Advocates of New Fiction." In A. Rickett, ed., Chinese Approaches to Literature from Confucius to Liang Ch'i-ch'ao. Princeton: PUP, 1978.

Huters, Theodore. "From Writing to Literature: The Development of Late Qing Theories of Prose." HJAS 47, 1 (1987): 50-96.

-----. "A New Way of Writing: The Possibility for Literature in Late Qing China, 1895-1908." Modern China 14, 3 (1988): 243-76.

-----. "Chinese Theory and Criticism: Twentieth Century" In The Johns Hopkins Guide to Literary Theory and Criticism. Baltimore: Johns Hopkins UP, 1994, 155-60.

Kubin, W. and R. Wagner, eds. Essays in Modern Chinese Literature and Literary Criticism. Bochum: Brockmeyer, 1982.

Lee, Mabel. "Liang Ch'i-ch'ao (1873-1929) and the Literary Revolution of the Late Ch'ing." In A.R. Davis, ed., Search for Identity: Modern Literature and Creative Arts in Asia. Sydney: Angus and Robertson, 1974.

-----. "Rethinking Literature in the Post-Mao Period: Liu Zaifu on the Subjectivity of Literature." Journal of the Oriental Society of Australia 18/19 (1986/87): 101-25.

-----. "Walking Out of Other People's Prisions: Liu Zaifu and Gao Xingjian." Journal of Asian and African Studies 5, 3 (1996): 98-112.

Li, Tuo. "Resistance to Modernity---Reflections on China's Literary Criticism in the 1980s." Trs. Marshall McArthur and Han Chen. In Sung-sheng Yvonne Chang and Michelle Yeh, eds., Contemporary Chinese Literature: Crossing the Boundaries. Special issue of Literature East and West. Austin, TX: Department of Middle Eastern Languages and Cultures, 1995, 127-35. Rpt in Pang-yuan Chi and David Wang, eds., Chinese Literature in the Second Half of the Twentieth Century: A Critical Survey. Bloomington: Indiana UP, 2000, 137-45.

Liu, Lydia. Translingual Practice: Literature, National Culture, and Translated Modernity-- China, 1900-1937. Stanford: SUP, 1995. [contains two chapters on literary criticism and canonicity]

Liu, Zaifu. "Farewell to the Gods: Contemporary Chinese Literary Theory's Fin-de-siecle Struggle." In Pang-yuan Chi and David Wang, eds., Chinese Literature in the Second Half of the Twentieth Century: A Critical Survey. Bloomington: Indiana UP, 2000, 1-13.

McDougall, Bonnie. The Introduction of Western Literary Theories in to Modern China, 1919-1925. Tokyo: Centre for East Asian Cultural Studies, 1971.

Miller, Lucien. "Allegory and Personality in Modern Chinese Literary Criticism: Chou Tso-jen and Wang Kuo-wei." Tamkang Review 9, 4 (1979): 379-406.

Mu, Ling. "Beyond the 'Theory of Language Games': Huang Ziping and Chinese Literary Criticism of the 1980s." MC 21, 4 (1995): 420-49.

Owen, Stephen. "The End of the Past: Rewriting Chinese Literary History in the Early Republic." In Milena Dolezelova-Velingerova and Oldrich Kral, eds., The Appropriation of Cultural Capital: China's May Fourth Project. Cambridge: Harvard University Asia Center, 2001, 167-92.

Pickowicz, Paul. Marxist Literary Thought and China: A Conceptual Framework. Berkeley: Center for Chinese Studies, Institute of East Asian Studies, University of California, 1980.

-----. Marxist Literary Thought in China: The Influence of Ch'u Ch'iu-p'ai. Berkeley: UCP, 1981.

Pollard, David. A Chinese Look at Literature: The Literary Values of Chou Tso-jen in Relation to the Tradition. London: C. Hurst, 1973.

Qian, Liqun. "Lu Xun and Zhou Zuoren: A Comparative Study of the Evolution of their Literary Views." Social Sciences in China 3 (1984): 123-46.

-----. "An Overview of Chinese Theories of Fiction from the 1940s." Tr. Stephen Day. MCL 9, 1 (Spring 1995): 59-78.

Rickett, Adele. Wang Kuo-wei's "Jen-chien tz'u-hua": a Study in Chinese Literary Criticism. HK: HKUP, 1977.

-----, ed. Chinese Approaches to Literature from Confucius to Liang Ch'i-ch'ao. Princeton: PUP, 1978.

Roberts, Rosemary. "Women's Studies in Literature and Feminist Literary Criticism in Contemporary China." In Antonia Finnan and Ann McLaren, eds. Dress, Sex and Text in Chinese Culture. Clayton, Australia: Monash Asia Institute, 1999, 225-40.

Tang, Xiaobin. "Orientalism and the Question of Universality: The Language of Contemporary Chinese Literary Theory." Positions 1, 2 (Fall 1993).

Tagore, Amintendranath. Literary Debates in China, 1918-1937. Tokyo: Centre for East Asian Cultural Studies, 1967.

Wedell-Wedellsborg, Anne. "The Ambivalent Role of the Chinese Literary Critic in the 1980s." In Larson, Wendy, and Anne Wedell-Wedellsborg, eds. Inside Out: Modernism and Postmodernism in Chinese Literary Culture. Aarhus: Aarhus UP, 1993, 134-52.

Widmer, Ellen. "The Rhetoric of Retrospection: May Fourth Literary History and the Ming-Qing Woman Writer." In Milena Dolezelova-Velingerova and Oldrich Kral, eds., The Appropriation of Cultural Capital: China's May Fourth Project. Cambridge: Harvard University Asia Center, 2001, 193-227.

Wang, Fangzhen. "Marxist Literary Criticism in China." In Cory Nelson and Laurence Grossberg, eds., Marxism and the Interpretation of Culture. Urbana: University of Illinois, 1988, 715-22.

Wong, Wang-chi. Politics and Literature In Shanghai: the Chinese League of Left-Wing Writers, 1930-1936. Manchester: Manchester UP, 1991.

Xu, Ben. "Postmodern-Postcolonial Criticism and Pro-Democracy Enlightenment." Modern China 27, 1 (January 2001): 17-147.

Yue, Daiyun. "On Western Literary Theory in China." Tr.Gloria Davies. In Gloria Davies, ed. Voicing Concerns: Contemporary Chinese Critical Inquiry. Lanham, MD: Rowman and Littlefied, 2001, 109-22.

Zhang, Yingjin. "Building a National Literature in Modern China: Literary Criticism, Gender Ideology, and the Public Sphere." Jorunal of Modern Literature in Chinese 1, 1 (1997): 47-74.