MCL GENERAL STUDIES

Histories

Bady, Paul. La littérature chinoise moderne. Paris: Press Universitaire de France(PUF), 1993.

Birch, Cyril. "Literature under Communism." In Roderick MacFarquhar and John K. Fairbank, eds., The Cambridge History of China, vol 15: The People's Republic of China, pt. 2. Cambridge: Cambridge UP, 1991, 270-328.

Chen, Yu-chin. "Writers and 50 Years of Chinese Communism." The Chinese Pen (Autumn 1972): 21-41.

Dolezalova, Anna. "Periodization of Modern Chinese Literature." Asian and African Studies (Bratislava) 14 (1978): 27-32.

-----. "Suggestions Regarding Periodization of Liteature in the People's Republic of China." Asian and African Studies (Bratislava) 16 (1980): 153-59.

The Giants Within: A Portrait of Chinese Writers. 13 part video tapes. Taibei: Spring International, 1998.

Giafferri-Huang, Xiaomin. Le roman chinois depuis 1949. Paris: Presses Universitaires de France, 1991.

Guo Tingli. Zhongguo jindai wenxue fazhan shi (History of the development of modern Chinese literature). 3 vols. Ji'nan: Shandong jiaoyu, 1990. [vol. 1, 1840-1873; vol 2, 1873-1905; vol. 3, 1905-1919]

Herdan, Innes. The Pen and the Sword: Literature and Revolution in Modern China. London: Red Books, 1992.

Hsia, C. T. A History of Modern Chinese Fiction. New Haven: Yale University Press, 1971.

Lee, Leo Ou-fan. "Literary Trends I: The Quest for Modernity, 1895-1927." In The Cambridge History of China. Fairbank and Feuerwerker, eds. Cambridge UP, 1989, 12: 452-504

-----. "Literary Trends II: The Road to Revolution, 1927-1949." In Same as above. 13: 421-491.

Louie, Kam and Bonnie McDougall. The Literature of China in the Twentieth Century. NY: Columbia UP, 1997.

Monsterleet, Jean. Sommets de la litterature chinoise contemporaine. Paris: Editions Domat, 1953. [includes a general overview of the literary renaissance from 1917-1950, as well as sections on Novel (with chapters on Ba Jin, Mao Dun, Lao She and Shen Congwen), Stories and Essays (with chapters on Lu Xun, Zhou Zuoren, Bing Xin, and Su Xuelin), Theater (Cao Yu, Guo Moruo), and Poetry (Xu Zhimo, Wen Yiduo, Bian Zhilin, Feng Zhi, and Ai Qing).

Nienhauser, William and Howard Goldblatt. "Modern Chinese Literature." Britannica.com.

Scott, A.C. Literature and the Arts in Twentieth Century China. NY: Doubleday, 1963.

Spence, Jonathan. 1981. The Gate of Heavenly Peace: The Chinese and Their Revolution 1895-1980. New York: The Viking Press.

Su, Hsueh-lin. "Present Day Fiction and Drama in China." In Joseph Schyns, ed., 1500 Modern Chinese Novels and Plays. Beiping (Peiping): 1948.

Tang, Tao. History of Modern Chinese Literature. Beijing: Foreign Languages Press, 1993.

Ting, Yi. A Short History of Modern Chinese Literature. Peking: FLP, 1959.

Yang Yi. Zhongguo xiandai xiaoshuo shi (History of modern Chinese fiction). 3 vols. Beijing: Renmin wenxue, 1986-98.

Zhang, Yinde. Le roman chinois moderne 1918-1949. Paris: Presses Universitaires de France, 1992.

Anonymous. “The New Novel Before the New Novel: John Fryer’s Fiction Contest.” In Judith T. Zeitlin and Lydia Liu, with Ellen Widmer, eds., Writing and Materiality in China: Essays in Honor of Patrick Hanan. Cambridge, MA: Harvard University Asia Center, 2003, 317-40.

Chan, Leo Tak-hung. "Liberal Versions: Late Qing Approaches to Translating Aesop's Fables." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 57-78.

Chang, Hao. Chinese Intellectuals in Crisis: Search for Order and Meaning, 1890-1911. Berkeley: University of California Press, 1987.

Chen, Jianhua. "The Late Qing Poetry Revolution: Liang Qichao, Huang Zunxian, and Chinese Literary Modernity." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 333-40.

-----. "Zhou Shoujuan's Love Stories and Mandarin Ducks and Butterfly Fiction." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 354-63.

Cheng, Stephen. Flowers of Shanghai and the Late Qing Courtesan Novel. Ph. D. diss. Cambridge: Harvard University, 1979.

Chow, Kai-wing. "Imagining Boundaries of Blood: Zhang Binglin and the Invention of the Han 'Race' in Modern China." In Frank Dikotter, ed., The Construction of Racial Identities in China and Japan: Historical and Contemporary Perspectives. London: Hurst, 1997, 34-52.

Des Forges, Alexander. Street Talk and Alley Stories: Tangled Narratives of Shanghai from Lives of Shanghai Flowers (1892) to Midnight (1933). Ph.D. diss. Princeton: Princeton University, 1998.

-----. "From Source Texts to 'Reality Observed': The Creation of the 'Author' in Nineteenth-Century Vernacular Fiction." Chinese Literature: Essays, Articles and Reviews 22 (2000): 67-84.

-----. "The Uses of Fiction: Liang Qichao and His Contemporaries." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 341-47.

Dolezelova-Velingerova, Milena. "The Origins of Modern Chinese Literature." In Merle Goldman, ed., Modern Chinese Literature in the May Fourth Era. Cambridge: Harvard UP, 1977, 17-36.

-----, ed. The Chinese Novel at the Turn of the Century. Toronto: University of Toronto Press, 1980.

-----. "Literary Historiography in Early Twentieth-Century China (1904-1928): Construction of Cultural Memory." In Milena Dolezelova-Velingerova and Oldrich Kral, eds., The Appropriation of Cultural Capital: China's May Fourth Project. Cambridge: Harvard University Asia Center, 2001, 123-66.

-----. "Fiction from the End of the Empire to the Beginning of the Republic (1897-1916)." In Victor H. Mair, ed. The Columbia History of Chinese Literature. NY: Columbia UP, 2001, 697-731.

Drunken Whiskers. That Chinese Woman: The Life of Sai-Chin-Hua. Tr. Henry McAleavy. London: Allen and Unwin, 1959; New York: Crowell 1959.

Feng, Jin. The New Woman in Early Twentieth-Century Chinese Fiction. Lafayette, IN: Purdue UP, 2003.

Fong, Grace S., Nanxiu Qian, and Harriet Zurndorfer, eds., "Beyond Tradition and Modernity: Gender, Genre, and Cosmopolitanism in Late Qing China." Speciall issue of Nan Nu: Men, Women, and Gender in China 6, 1 (2004).

Gimpel, Denise. "A Neglected Medium: The Literary Journal and the Case of The Short Story Magazine (Xiaoshuo yuebao), 1910-1914." Modern Chinese Literatur and Culture 11, 2 (Fall 1999): 53-106.

-----. Lost Voices of Modernity: A Chinese Popular Fiction Magazine in Context. Honolulu: University of Hawaii Press, 2001.

Hamm, John Christopher. "Reading the Swordsman's Tale: Shisanmei and Ernu yingxiong zhuan." T'oung Pao 84 (1998): 328-55.

Hanan, Patrick. "A Study in Acculturation--The First Novels Translated into Chinese." Chinese Literature: Essays, Articles and Reviews 23 (2002): 55-80.

Harrell, Paula. Sowing the Seeds of Change: Chinese Students, Japanese Teachers, 1895-1905. Stanford: Stanford UP, 1992.

Hsia, C.T. "Yen Fu and Liang Ch'i-ch'ao as Advocates of New Fiction." In A. Rickett, ed., Chinese Approaches to Literature from Confucius to Liang Ch'i-ch'ao. Princeton: PUP, 1978, 221-57.

Hu, Ying. "Reconfiguring Nei/Wai: Writing the Woman Traverler in the Late Qing." Late Imperial China 18, 1 (1997): 72-99.

-----. Tales of Translation: Composing the New Woman in China, 1898-1918. Stanford: Stanford UP, 2000.

-----. "Naming the First New Woman: The Case of Kang Aide." NAN NÜ: Men, Women and Gender in Early and Imperial China 3, 2 (2001).

-----. "Naming the First ‘New Woman.’" In Rebecca E. Karl and Peter Zarrow, eds., Rethinking the 1898 Reform Period: Political and Cultural Change in late Qing China. Cambridge, MA: Harvard University Asia Center, 2002.

-----. "Late Qing Fiction." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 348-54.

Hung, Eva. "Giving Texts a Context: Chinese Translations of Classical English Detective Stories, 1896-1916." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 25-36.

Huntington, Rania. “The Weird in the Newspaper.” In Judith T. Zeitlin and Lydia Liu, with Ellen Widmer, eds., Writing and Materiality in China: Essays in Honor of Patrick Hanan. Cambridge, MA: Harvard University Asia Center, 2003, 341-97. [deals mostly with the Dianshizhai huabao]

Huters, Theodore. "From Writing to Literature: The Development of Late Qing Theories of Prose." Harvard Journal of Asiatic Studies 47, 1 (1987): 50-96.

-----. "A New Way of Writing: The Possibility for Literature in Late Qing China, 1895-1908." Modern China 14, 3 (1988): 243-76.

Jin, Yuan. "The Influence of Translated Fiction on Chinese Romantic Ficiton." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 283-302.

Judge, Joan. “Reforming the Feminine: Female Literacy and the Legacy of 1898.” In Rebecca E. Karl and Peter Zarrow, eds., Rethinking the 1898 Reform Period: Political and Cultural Change in late Qing China. Cambridge, MA: Harvard University Asia Center, 2002.

-----. "Key Words in the Late Qing Reform Discourse: Classical and Contemporary Sources of Authority." Indiana East Asian Working Paper Series on Language and Politics in Modern China.

Karl, Rebecca E.. "'Slavery,' Citizenship, and Gender in Late Qing China's Global Contexts." In Rebecca E. Karl and Peter Zarrow, eds., Rethinking the 1898 Reform Period: Political and Cultural Change in late Qing China. Cambridge, MA: Harvard University Asia Center, 2002, 212-44.

Karl, Rebecca E. and Peter Zarrow, eds. Rethinking the 1898 Reform Period: Political and Cultural Change in late Qing China. Cambridge, MA: Harvard University Asia Center, 2002.

Keulemans, Paize. "Recreating the Storyteller Image: Publishing Martial Arts Fiction to Renew the Public in the Late Qing." Twentieth-Century China 29, 2 (April 2004): 7-38.

Kockum, Keiko. Japanese Acheivement, Chinese Inspiration: A Study of the Japanese Influence on the Modernisation of the Late Qing Novel. Stockholm: Orientaliska Studier, 1990.

Kowallis, Jon. "Melancholy in Late Qing and Early Republican Verse." In Wolfgang Kubin, ed., Symbols of Anguish: In Search of Melancholy in China. Bern: Peter Lang, 2001, 289-314.

Kwong, S.K. A Mosaic of the Hundred Days: Personalities, Politics and Ideas of 1898. Cambridge, MA: Counicil on East Asian Studies, Harvard University, 1984.

Lackner, Michaeil, Iwo Amelung, and Joachim Kurtz, eds. New Terms for New Ideas: Western Knowledge and Lexical China in Late Imperial China. Boston, Koln: Leiden, 2001.

Lee, Haiyan. "All the Feelings That Are Fit to Print: The Community of Sentiment and the Literary Public Sphere in China, 1900-1918." Modern China 27, no. 3 (July 2001): 291-327.

Lee, Mabel. "Chinese Women and Social Change: A Theme in Late Ch'ing Fiction and Its Subsequent Development." In Gungwu Wang, ed., Society and the Writer: Essays on Literature in Modern Asia. Canberra: Research School of Pacific Studies, The Australian National University, 1981, 123-38.

Li, Danke. "Popular Culture in the Making of Anti-Imperialist and Nationalist Sentiments in Sichuan." Modern China 30, 4 (Oct. 2004): 470-505.

Abstract: Existing Western scholarship on the rights recovery movement in Sichuan mainly focuses on the role played by elites. This article argues that popular culture, in the form of folk stories, songs, and children's primers, also contributed to that movement by shaping and expressing popular anti-imperialist attitudes. Its analysis of primers available in late Qing Sichuan and popular stories about the activities of foreigners prevalent in the early 1900s serves to reveal a rich local cultural milieu of time-nurtured anti-imperialist sentiment among common people, which broadly influenced local political action. The protests over the Jiangbei mining concession encompassed both elite and ordinary people, although each group understood the issue differently.

Li, Hsiao-t'i. Opera, Society, and Politics: Chinese Intellectuals and Popular Culture, 1901-1937. Ph. D. diss. Cambridge: Harvard University, 1996.

-----. "Making a Name and a Culture for the Masses in China." positions 9, 1 (Spring 2001): 29-68.

Liu, Jen-Peng. "The Disposition of Hierarchy and the Late Qing Discourse of Gender Equality." Inter-Asia Cultural Studies 2, 1 (April 2001): 69-79.

Liu, Lydia, ed. Tokens of Exchange: The Problem of Translation in Global Circulations. Durham, NC: Duke University Press, 1999.

-----. "The Translator's Turn: The Birth of Modern Chinese Language and Fiction." In Victor H. Mair, ed. The Columbia History of Chinese Literature. NY: Columbia UP, 2001, 1055-1066.

Liu, Wei-p'ing. "The Poetry Revolution of the Late Ch'ing Period: A Reevaluation." In A.R. Davis and A.D. Stefanowska, eds. Austrina Marricksville: Oriental Society of Australia, 1982, 188-99.

Martin, Helmut. "A Transitional Concept of Chinese Literature 1897-1917: Liang Qichao on Poetry Reform, Historical Drama and the Political Novel." Oriens Extremus 20, 2 (1973): 175-217.

Ming, Feng-ying. “Baoyu in Wonderland: Technological Utopia in the Early Modern Chinese Science Fiction Novel.” In Yingjin Zhang, ed., China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1998, 152-72.

Pollard, David E., ed. Translation and Creation: Reading of Western Literature in Early Modern China, 1840-1918. Amsterdam; Philadelphia: J. Benjamins, 1998.

Qian, Nanxiu. "Revitalizing the Xianyuan (Worthy Ladies) Tradition: Women in the 1898 Reforms." Modern China 29, 4 (Oct. 2003): 399-454.

Rankin, Mary. Early Chinese Revolutionaries: Radical Intellectuals in Shanghai and Chekiang, 1902-1911. Cambridge: Harvard UP, 1971.

Saari, Hon L. Legacies of Childhood: Growing Up Chinese in a Time of Crisis, 1890-1920. Cambridge, MA: Council on East Asian Studies, Harvard University, 1990.

Tang, Xiaobing. “’Poetic Revolution,’ Colonization, and Form at the Beginning of Modern Chinese Literature.” In Rebecca E. Karl and Peter Zarrow, eds., Rethinking the 1898 Reform Period: Political and Cultural Change in late Qing China. Cambridge, MA: Harvard University Asia Center, 2002.

Teruo, Tarumoto. "A Statistical Survey of Translated Fiction, 1840-1920." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 37-42.

Tschanz, Dietrich. "The New Drama before the New Drama: Drama Journals and Drama Reform in Shanghai before the May Fourth Movement." Theatre InSight 10, 1 (1999): 49-59.

Tu, Wei-ming. "The Enlightenment Mentality and the Chinese Intellectual Dilemma." In K. Lieberthal et al., eds., Perspectives on Modern China: Four Anniversaries. Armonk: M.E. Sharpe, 1991, 103-18.

Wang, David Der-wei. Fin-de-siecle Splendor: Repressed Modernities of Late Qing Fiction, 1848-1911. Stanford: SUP, 1997.

-----. "Translating Modernity." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 303-329.

-----. "Return to Go: Fictional Innovation in the Late Qing and the Late Twentieth Century." In Milena Dolezelova-Velingerova and Oldrich Kral, eds., The Appropriation of Cultural Capital: China's May Fourth Project. Cambridge: Harvard University Asia Center, 2001, 257-97.

----. Nonconformism as Narrative Strategy: A Reappraisal of Late Ch'ing Fiction." Asian Culture Quarterly 7, 2 (1984): 55-72.

-----. "Storytelling Context in Chinese Fiction: A Preliminary Examination of It as a Mode of Narrative Discourse." Tamkang Review 6, 1 (1984/85): 133-50.

Wang, Xiaoming. "From Petitions to Fiction: Visions of the Future Propagated in Early Modern China." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 43-56.

Wong, Wang-chi. "An Act of Violence: Translation of Western Fiction in the late Qing and early Republican Period." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 21-39.

Wright, David. “Yan Fu and the Tasks of the Translator.” In Lackner et al. eds., New Terms for New Ideas: Western Knowledge and Lexical China in Late Imperial China. Boston, Koln: Leiden, 2001, 235-256.

Xiong, Yuezhi. "Degrees of Familiarity with the West in Late Qing Society." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 25-36.

Yeh, Catherine Vance. “The Life-Style of Four Wenren in Late Qing Shanghai.” Harvard Journal of Asiatic Studies 57, 1 (1997): 419-70. [deals with Wang Tao, Chen Jitong, Zeng Pu, and Jin Songcen]

-----. “Creating the Urban Beauty: The Shanghai Courtesan in Late Qing Illustrations.” In Judith T. Zeitlin and Lydia Liu, with Ellen Widmer, eds., Writing and Materiality in China: Essays in Honor of Patrick Hanan. Cambridge, MA: Harvard University Asia Center, 2003, 397-447.

Yu, Chu Chi. "Lord Byron's 'The Isles of Greece: First Translations." In David Pollard, ed., Translation and Creation: Readings of Western Literature in Early Modern China. Amsterdan, Philadelphia: J. Benjamins, 1998, 79-104.

Zou, John. “Travel and Translation: An Aspect of China’s Cultural Modernity, 1862-1926.” In Yingjin Zhang, ed., China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1998, 133-51.

Biasco, Margherita. “The Crisis of the Family System and the Search for a New Identity of Chinese Youth.” In Marian Galik, ed., Interliterary and Intraliterary Aspects of the May Fourth Movement 1919 in China. Bratislava: Veda, 1990, 189-200.

Braester, Yomi. "Dreaming a Cure for History: The Resistance to Historical Consciousness Within the May Fourth Movement." In Braester, Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China. Stanford: Stanford UP, 2003, 31-55.

Chan, Adrian. "Towards a Marxist Theory and Sociology of Literature in China, to 1933." In Wang Gungwu, ed., Society and the Writer: Essays on Literature in Modern Asia. Canberra: Research School of Pacific Studies, Australian Nat. Univ., 1981, 155-171.

Chang, Shuei-May, ed. Casting Off the Shackles of Family : Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942. Peter Lang, 2002.

Chen, Jianhua. "Zhou Shoujuan's Love Stories and Mandarin Ducks and Butterfly Fiction." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 354-63.

Chen, Joseph. The May Fourth Movement in Shanghai. Leiden: Brill, 1971.

Chen, Pingyuan. "Literature High and Low: 'Popular Fiction' in Twentieth-Century China." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 113-33.

Cheng, Ching-mao. "The Impact of Japanese Literary Trends." In Merle Goldman, ed., Modern Chinese Literature in the May Fourth Era. Cambridge: Harvard UP, 1977, 63-88.

Chow, Tse-tsung. "Anti-Confucianism in Early Republican China." In Arthur Wright, ed., The Confucian Persuasion. Stanford: SUP, 1967.

-----. The May Fourth Movement: Intellectual Revolution in Modern China. Cambridge: Harvard UP, 1960.

Chow, William C. L. "The Development of Individualism in Modern China." Hanxue yanjiu (Chinese Studies). 13, 2 (1995): 77-98.

Chung, Hilary. “Kristevan (Mis)understandings: Writing in the Feminine.” In Michel Hockx and Ivo Smits, eds., Reading East Asian Writing: The Limits of Literary Theory. New York and London: RoutledgeCurzon, 2003, 72-91. [analyzes fiction by Chen Hengzhe, Lu Yin, Ding Ling, and Feng Yuanjun]

Chung, Hilary and Tommy McClellan, "Images of Women: Exploring Apparent Changes of Attitude Towards Women in the May 4th Era Through Literary Imagery." In Viviane Alleton and Alexeï Volkov eds., Notions et Perceptions du Changement en Chine. Paris: College de France, 1994, 187-198.

Cini, Francesca. "Le 'problem des femmes' dans La nouvelle jeunesse, 1915-1922" (The women's problem in New Youth, 1915-1922). Etudes chinoies 5, 1/2 (Spring/Autumn 1986): 133-56.

Crespi, John. "Form and Reform: New Poetry and the Crescent Moon Society." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 364-70..

Daruvala, Susan. Zhou Zuoren and an alternative Chinese Response to Modernity. Cambridge, MA: Harvard University Asia Center, 2000.

Davies, Gloria. "Towards Transcendental Knowledge: The Mapping of the May Fourth Modernity/Spirit." East Asian History 4 (1992): 143-64.

Des Forges, Alexander. Street Talk and Alley Stories: Tangled Narratives of Shanghai from Lives of Shanghai Flowers (1892) to Midnight (1933). Ph.D. diss. Princeton: Princeton University, 1998.

Dirlik, Arif.  "Ideology and Organization in the May Fourth Movement:  Some Problems in the Intellectual Historiography of the May Fourth Period."  Republican China 12, 1 (Nov. 1986): 3-19.

Dolezelova-Velingerova, Milena. "Literary Historiography in Early Twentieth-Century China (1904-1928): Construction of Cultural Memory." In Milena Dolezelova-Velingerova and Oldrich Kral, eds., The Appropriation of Cultural Capital: China's May Fourth Project. Cambridge: Harvard University Asia Center, 2001, 123-66.

Dolezelova-Velingerova, Milena and Oldrich Kral, eds. The Appropriation of Cultural Capital: China's May Fourth Project. Cambridge: Harvard University Asia Center, 2001.

Dooling, Amy D. Feminism and Narrative Strategies in Early Twentieth-Century Chinese Women’s Writing. Ph.D. Diss. NY: Columbia University, 1998.

-----. "Reconsidering the Origins of Modern Chinese Women's Writing." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 371-77.

Duara, Prasenjit. Rescuing History from the Nation:Questions and Narratives of Modern China. Chicago: University of Chicago Press, 1995. [see also "Symposium on Prasenjit Duara's Rescuing History from the Nation." Bulletin of Concerned Asian Scholars 29, 4 (Oct.-Dec. 1997)].

Eastman, Lloyd E. "The May Fourth Movement as a Historical Turning Point: Ecological Exhaustion, Militarization, and Other Causes of China's Modern Crisis." In K. Lieberthal et al., eds., Perspectives on Modern China: Four Anniversaries. Armonk: M.E. Sharpe, 1991, 123-38.

Eber, Irene. "Images of Oppressed Peoples and Modern Chinese Literature." In Merle Goldman, ed., Modern Chinese Literature in the May Fourth Era. Cambridge: Harvard UP, 1977, 17-36.

Eide, Elizabeth. “The Balad of Kongque dongnan fei as Freudian Feminist Drama during the May Fourth Period.” In Marian Galik, ed., Interliterary and Intraliterary Aspects of the May Fourth Movement 1919 in China. Bratislava: Veda, 1990, 129-38.

Elvin, Mark. Self-Liberation and Self-Immolation in Modern Chinese Thought. Canberra: Australian National University, 1978.

Feng, Jin. The New Woman in Early Twentieth-Century Chinese Fiction. Lafayette, IN: Purdue UP, 2003.

Feng, Liping. "Democracy and Elitism: The May Fourth Ideal of Literature." Critical Inquiry 20, 2 (Winter 1994): 328-56.

Fincher, John H. "The Writ of Literature: The Chinese Disciples of Western New Humanism, ca.1919-1933." In Wang Gungwu ed., Society and the Writer: Essays on Literature in Modern Asia. Canberra: Research School of Pacific Studies, Australian Nat. Univ., 1981, 139-153.

Findeisen, Raoul David. "From Literature to Love: Glory and Decline of the Love-Letter Genre." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 79-112.

Fitzgerald, John. Awakening China: Politics, Culture, and Class in the Nationalist Revolution. Stanford: SUP, 1996.

Fogel, Joshua A. “Japanese Literary Travelers in Prewar China.” Harvard Journal of Asiatic Studies 49, 2 (1989): 575-602.

Fruehauf, Heinrich. Urban Exoticism in Modern Chinese Literature, 1910-1933. Ph.D. diss. Chicago: University of Chicago, 1990.

Furth, Charlotte. "May Fourth in History." In Benjamin I. Schwartz, ed., Reflections on the May Fourth Movement: A Symposium. Cambridge: Harvard UP, 1973, 59-68.

Galik, Marian. “May Fourth Literature Reconsidered: Musing Over Mythopeia as Creation.” In Marian Galik, ed., Interliterary and Intraliterary Aspects of the May Fourth Movement 1919 in China. Bratislava: Veda, 1990, 269-83.

Ge, Baoquan. “The Influence of Russian Classical Literature on Modern Chinese Literature Before and After the May Fourth Movement.” In Marian Galik, ed., Interliterary and Intraliterary Aspects of the May Fourth Movement 1919 in China. Bratislava: Veda, 1990, 213-22.

Ge, Hongbin. "Wusi wenhua de neizai maodun" (Inherent contradictions of May Fourth culture). Confucius2000. [in Chinese]

Gimpel, Denise. "Beyond Butterflies: Some Observations on the Early Years of the Journal Xiaoshuo yuebao." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 40-60.

-----. Lost Voices of Modernity: A Chinese Popular Fiction Magazine in Context. Honolulu: University of Hawaii Press, 2001.

Goldman, Merle, ed. Modern Chinese Literature in the May Fourth Era. Boston: Harvard University Press. 1977.

-----. "Left-wing Criticism of the Pai Hua Movement." In Benjamin I. Schwartz, ed., Reflections on the May Fourth Movement: A Symposium. Cambridge: Harvard UP, 1973, 85-94.

Glosser, Susan L. "'The Truths I Have Learned': Nationalism, Family Reform, and Male Identity in China's New Culture Movement, 1915-1923 ." In Susan Brownell and Jeffrey N. Wasserstrom, eds. Chinese Femininities, Chinese Masculinities: A Reader. Berkeley: University of California Press, 2002, 120-44.

Grieder, Jerome. "The Question of Politics in the May Fourth Era." In Benjamin I. Schwartz, ed., Reflections on the May Fourth Movement: A Symposium. Cambridge: Harvard UP, 1973, 95-102.

Harbsmeier, Christopher. “May Fourth Linguistic Orthodoxy and Rhetoric: Some Informal Comparative Notes.” In Lackner et al. eds., New Terms for New Ideas: Western Knowledge and Lexical China in Late Imperial China. Boston, Koln: Leiden, 2001, 373-410.

Hay, Stephen N. Asian Ideas of East and West: Tagore and His Critics in Japan, China and India. Cambridge: Harvard UP, 1970.

Hockx, Michel. "Mad Women and Mad Men: Intraliterary Contact in Early Republican Literature." In Findeison and Gassmann, eds., Autumn Floods: Essays in Honour of Marian Galik. Bern: Peter Lang, 1997.

-----. Questions of Style: Literary Societies and Literary Journals in Modern China, 1911-1937. Leiden: E. J. Brill, 2003.

-----. “Theory as Practice: Modern Chinese Literature and Bourdieu.” In Michel Hockx and Ivo Smits, eds., Reading East Asian Writing: The Limits of Literary Theory. New York and London: RoutledgeCurzon, 2003, 220-39.

-----. "Playing the Field: Aspects of Chinese Literary Life in the 1920s." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 61-78.

-----. "Is There a May Fourth Literature? A Reply to Wang Xiaoming." MCLC 11, 2 (Fall 1999): 40-52.

Hon, Tze-Ki. "Cultural Identity and Local Self-Government: A Study of Liu Yizheng's History of Chinese Culture." Modern China 30, 4 (Oct. 2004): 506-542.

Abstract: Until recently, the study of Chinese historical writings of the 1920s and 1930s has centered on the May Fourth approach to history, especially the Doubting Antiquity Movement (yigu yundong) led by Gu Jiegang. By privileging their historical writings as modern or progressive and labeling their opponents' as traditional or regressive, we fail to see the full scope of the modern Chinese historical debate and overlook its social and political underpinnings. In this article, based on a close reading of History of Chinese Culture (Zhongguo wenhua shi) of Liu Yizheng (1880-1956), the author seeks to contextualize the historical debate in terms of the political and social change in post-1911 China. Written in the early 1920s when intellectuals still could express different views of the nation without the fear of state censorship, Liu's History of Chinese Culture gave renewed emphasis to local self-government, thereby challenging the expansion of the state.

Hu, Ying. Tales of Translation: Composing the New Woman in China, 1898-1918. Stanford: Stanford UP, 2000.

-----. "Naming the First New Woman." NAN NÜ: Men, Women and Gender in Early and Imperial China 3, 2 2001).

Huang, Sung-k’ang. “The May Fourth Legacy and the Process of Chinese Democracy (1915-1989).” Revue des Pays de l’Est 1/2 (1992).

Hung, Chang-tai. Going to the People: Chinese Intellectuals and Folk Literature, 1918-1937. Cambridge: Council on East Asian Studies, Harvard University, 1985.

Hunt, Michael H. "The May Fourth Era: China's Place in the World." In K. Lieberthal et al., eds., Perspectives on Modern China: Four Anniversaries. Armonk: M.E. Sharpe, 1991, 178-200.

Huters, Theodore. "Critcal Ground: The Transformation of the May Fourth Era." In Bonnie McDougall, ed., Popular Chinese Literature and Performing Arts in the People's Republic of China. Berkeley: UCP, 1984, 54-80.

-----. "The Paradox of Chinese Iconoclasm," in Nancy Kobrin, ed., The Paradigm Exchange II, Minneapolis: University of Minnesota College of Liberal Arts, 1987, 13- 18.

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-----. "May Fourth: Some Fin de Siecle Reflections." Harvard Asia Quarterly (Summer 1999).

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-----. The Crisis of Chinese Consciousness: Radical Anti-traditionalism in the May Fourth Era. Madison: U. of Wisconsin Press, 1979.

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-----. "Remapping May Fourth:  Between Nationalism and Enlightenment." Republican China 12, 1 (Nov. 1986): 20-35. 

-----. The Chinese Enlightenment: Intellectuals and the Legacy of the May Fourth Movement of 1919. Berkeley: UCP, 1986.

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-----. "Between the Garden of Gethsemane and Golgotha: The Last Night and Day of Jesus in Modern Chinese Literaturre (1921-1942)." Tamkang Review 31, 4-32,1 (Summer-Autumn 2001): 99-116.

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-----. "Ch'u Ch'iu-po: The Making and Destruction of a Tenderhearted Communist." In Hsia, The Gate of Darkness: Studies on the Leftist Literary Movement. Seattle: University of Washington Press, 1968, 3-54.

-----. "Lu Hsun and the Dissolution of the League of Leftist Writers." In Hsia, The Gate of Darkness: Studies on the Leftist Literary Movement. Seattle: University of Washington Press, 1968, 101-63.

-----. "Enigma of the Five Martyrs." In Hsia, The Gate of Darkness: Studies on the Leftist Literary Movement. Seattle: University of Washington Press, 1968, 163-233.

-----. "Twenty Years after the Yenan Forum." In Hsia, The Gate of Darkness: Studies on the Leftist Literary Movement. Seattle: University of Washington Press, 1968, 234-60.

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-----. Questions of Style: Literary Societies and Literary Journals in Modern China, 1911-1937. Leiden: E. J. Brill, 2003.

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-----. "Another look at the League of Left-Wing Writers." In A.R. Davis, ed., Search for identity: modern literature and the creative arts in Asia: papers presented to the 28 International Congress of Orientalists. Sydney: Angus and Robertson, 1975, 260-270.

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-----. "The Debate on Revolutionary Literature." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 3401-404.

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---."Lily Briscoe's Chinese Eyes," The Kingsman. King's College Cambridge University (Fall 2003).

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-----. Shanghai Modern: The Flowering of a New Urban Culture in China, 1930-1945. Cambridge: Harvard University Press, 1999.

-----. "The Cultural Construction of Modernity in Urban Shanghai: Some Preliminary Explorations." In Wen-hsin Yeh, ed., Becoming Chinese: Passages to Modernity and Beyond. Berkeley: University of California Press, 2000, 31-61.

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-----. Revolution Plus Love: Literary History, Women's Bodies, and Thematic Repetition in Twentieth-Century Chinese Fiction. Honolulu: University of Hawai'i Press, 2003.

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Rabut, Isabelle. "Ecole de Pekin, ecole de Shanghai: un parcours critique." In Isabelle Rabut and Angel Pino, eds. Pekin -- Shanghai: Tradition et modernite dans la litterature chinoise des annees trente. Paris: Editions Bleu de Chine, 2000, 13-60.

-----. "L'esthetique du jingpai." In Isabelle Rabut and Angel Pino, eds. Pekin -- Shanghai: Tradition et modernite dans la litterature chinoise des annees trente. Paris: Editions Bleu de Chine, 2000, 93-122.

Rabut, Isabelle and Angel Pino, eds. Pekin -- Shanghai: Tradition et modernite dans la litterature chinoise des annees trente. Paris: Editions Bleu de Chine, 2000.

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[Yang Xu's (1918- ) second volume of collected works, My Diary (Wo de riji; 1944), articulates the key themes that prevailed in Chinese women's literature in the Japanese colonial state of Manzhouguo. In Manzhouguo, literature was a vital domain for the negotiation of Chinese cultural identities in a Japanese colonial context. This paper seeks to reveal how Yang Xu, like other contemporary Chinese women writers in Manzhouguo, was driven by the May Fourth ideals of women's emancipation that dominated social discourse in the Republic of China during the 1920s to defy the conservative cultural aspirations of the Japanese colonial regime.]

Tam, Kwok-kan. "Ibsenism and Ideological Constructions of the 'New Woman' in Modern Chinese Fiction." In Peng-hisang Chen and Whitney Crothers Dilley, eds., Feminism/Femininity in Chinese Literature. Amsterdam,: Rodopi, 2002, 179-86.

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Y.P.S. "Five Years of Chinese Magazine Literature." China Today 1, 6 (March 1935): 113-15

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Zhang, Yingjin. The City in Modern Chinese Literature and Film: Configurations of Space, Time, and Gender. Stanford: Stanford UP, 1996.

-----. "The Texture of the Metropolis: Modernist Inscriptions of Shanghai in the 1930s." In Yingjin Zhang, ed., China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1999, 173-88. First published in MCL 9, 1 (Spring 1995): 11-30.

Zhou, Xiaoyi. "Beardsley, the Chinese Decadents and Commodity Culture in Shanghai During the 1930s." Journal of the Oriental Society of Australia 32/33 (2000/2001): 117-34.

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Feng, Jin. The New Woman in Early Twentieth-Century Chinese Fiction. Lafayette, IN: Purdue UP, 2003.

Fu, Po-shek. Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937-1945. Stanford: SUP, 1993.

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-----. "Shanghai's 'Orphan Island' and the Development of Modern Drama." In Bonnie McDougall, ed. Popular Chinese Literature and Performing Arts in the PRC, 1949-1979. Berkeley: UCP, 1984, 36-53.

-----. "Literature and Art of the War Period." In James Hsiung et. al., eds., China's Bitter Victory: The War with Japan, 1937-1945. Armonk: M.E. Sharpe, 1993, 235-74.

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-----. "Folk Art as Propaganda: The Yangge Movement in Yan'an." In Bonnie McDougall, ed. Popular Chinese Literature and Performing Arts in the PRC, 1949-1979. Berkeley: UCP, 1984, 3-35.

-----. Art and Ideology in Revolutionary China. Oxford: Clarendon, 1991. [focuses on Yan'an]

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Huang, Nicole. Written in the Ruins: War and Domesticity in Shanghai Literature of the 1940s. Ph.d. diss. Los Angeles: UCLA, 1998.

-----. "Fashioning Public Intellectuals: Women's Print Culture in Occupied Shanghai (1941-1945)." In Christian Henriot and Wen-hsin Yeh, eds., In the Shadow of the Rising Sun: Shanghai under Japanese Occupation. Cambridge: Cambridge UP, 2004, 325-45.

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-----. War and Popular Culture: Resistance in Modern China, 1937-1945. Berkeley: UCP, 1994.

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-----. "Cultural Articulation in the Chinese Countryside, 1937-1947." Modern China 16, 3 (July 1990): 269-304.

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La litterature chinoise au temps de la Geurre de resistance contre le Japon. Paris: Editions de la Fondation Singer-Polignac, 1982. [collection of essay on literature of the war period]

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Liu, Jianmei. "Gender Politics: Social Space and Volatile Bodies, 1937-1945." Journal of Modern Literature in Chinese 2, 1 (July 1998): 53-82.

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Smith, Norman. "'I Am an Ordinary Woman': Yang Xu and the Articulation of Chinese Ideals of Womanhood in Japanese Occupied Manchuria." Asian Journal of Women's Studies 8, 3 (2002): 35-54.

[Yang Xu's (1918- ) second volume of collected works, My Diary (Wo de riji; 1944), articulates the key themes that prevailed in Chinese women's literature in the Japanese colonial state of Manzhouguo. In Manzhouguo, literature was a vital domain for the negotiation of Chinese cultural identities in a Japanese colonial context. This paper seeks to reveal how Yang Xu, like other contemporary Chinese women writers in Manzhouguo, was driven by the May Fourth ideals of women's emancipation that dominated social discourse in the Republic of China during the 1920s to defy the conservative cultural aspirations of the Japanese colonial regime.]

-----. "Disrupting Narratives: Chinese Women Writers and the Japanese Cultural Agenda in Manchuria, 1936-1945." Modern China 30, 3 (2004): 295-325.

[This article assesses the lives, careers, and literary legacies of the most prominent Chinese women writers during the latter stage of the Japanese occupation of Manchuria. The article reveals how they articulated dissatisfaction with the Japanese cultural agenda while working within Japanese colonial institutions. Empowered by ineffectual state policies and misogynous official neglect, the women embarked on a decade-long quest to describe and expose the reality of Chinese women's lives under Japanese occupation. May Fourth ideals of women's emancipation inspired them to forge careers as critics of Japan's cultural agenda, and they undermined Japanese efforts to sever ties between Manchuria and the rest of China. This study adds to a growing body of recent critical scholarship incorporating Chinese-language sources into received interpretations of Japan's colonial state of Manchukuo.]

-----. "Regulating Chinese Women's Sexuality During the Japanese Occupation of Manchuria: Between the Lines of Wu Ying's "Yu" (Lust) and Yang Xu's Wo de Riji (My Diary)." Journal of the History of Sexuality 13, 1 (Jan. 2004): 49-70.

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Ji, Fengyuan. Linguistic Engineering: Language and Politics in Mao's China. Honolulu: University of Hawai'i Press, 2003.

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Wagner, Rudolf. "The Cog and the Scout: Functional Concepts of Literature in Socialist Political Culture: The Chinese Debate in the Mid-Fifties." In W. Kubin and R. Wagner, eds., Essays in Modern Chinese Literature and Literary Criticism. Bochum, 1982.

-----. "Life as a Quote from a Foreign Book. Love, Pavel, and Rita." In H.Schmidt-Glintzer (ed.), Das andere China. Festschrift für Wolfgang Bauer
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-----. "Culture and Code. Historical Fiction in a Socialist Environment: The GDR and China." In H. Chung (ed.)(with M. Falchikov, B. S. McDougall, K. McPherson), In the Party Spirit. Socialist Realism and Literary Practice in the Soviet Union, East Germany and China. Editions Rodopi: Amsterdam/Atlanta 1996, 129-140.

Wang, Ban. "Revolutionary Realism and Revolutonary Romanticism: The Song of Youth." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 470-75.

Wang, David Der-wei. "Reinventing National History: Communist and Anti-Communist Fiction of the Mid-Twentieth Century." In Pang-yuan Chi and David Wang, eds., Chinese Literature in the Second Half of the Twentieth Century: A Critical Survey. Bloomington: Indiana UP, 2000, 139-64.

Yang, Lan. "'Socialist Realism' versus 'Revolutionary Realism plus Revolutionary Romanticism.'" In Chung, ed. In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China. Critical Studies no. 6. Amsterdam: Rodopi, 1996, 88-105.

Zhao, Zhong. The Communist Program for Literature and Art in China. Kowloon: Union Research Institute, 1955.

-----. "The Cultural Revolution Model Theater." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 496-501.

Berman, Par. Paragons of Virtue in Chinese Short Stories during the Cultural Revolution. Gotebord, 1984.

Bibliography on Chinese Cultural Revolution (Indiana University Library)

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Cao, Zuoya. Out of the Crucible: Literary Works about the Rusticated Youth. Lanham: Lexington Books, 2003.

Chen, Xiaomei. "Operatic Revolutions: Tradition, Memory, and Women in Model Theater." In Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 73-158.

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Ch'en, Shih-hsiang. "Language and Literature Under Communism." In Yuan-li Wu, ed., China: A Handbook. NY: Praeger, 1973, 705-36.

Chen, Sihe. "On 'Invisible Writing' in the History of Contemporary Chinese Literature 1949-1976." Tr. Hongbing Zhang. MCLC Resource Center Publication.

Chen, Xiaomei. "The Marginality of the Study of Cultural Revolution: The Neglected and the Privileged in the Making of Imagined Communities." Historical Society of Twentieth Century China Annual Conference (Coeur d'Alene, Idaho, Sept/Oct. 1997).

----- Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002. [MCLC Resource Center review by Ruru Li]

-----. "The Making of a Revolutionary Stage: Chinese Model Theater and Western Influences." In Claire Sponsler and Xiaomei Chen, eds., East of West: Cross-cultural Performance and the Staging of Difference. NY: St. Martin's Press, forthcoming.

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Law, Kam-yee, ed. The Chinese Cultural Revolution Reconsidered: Beyond Purge and Holocaust. Houndmills: Palgrave Macmillan, 2003.

[Table of Contents: Explanations for China's Revolution at its Peak--L.T. White & K.Y. Law * Historical Reflections on the Cultural Revolution as a Political Movement--H.Y. Lee * The Structural Sources of the Cultural Revolution--S. Wang * Between Destruction and Construction: The First Year of the Cultural Revolution--S. Wang * Cleansing the Class Ranks: The Hidden Face of the Cultural Revolution--A.G. Walder * The Logic of Repressive Collective Action: A Case Study of Violence in the Cultural Revolution--X. Gong * The Cultural Revolution in Zhejiang Revisited: The Paradox of Rebellion and Factionalism and Violence and Social Conflict amidst Economic Growth--K. Forster * The Politics of the Cultural Revolution in Historical Perspective--A. Dirlik * The Cultural Revolution and the Origins of Post-Mao Reform--M. Lupher * Legacies of the Maoist Development Strategy: Rural Industrialization in China--C.P.W. Wong * The Strange Tale of China's Tea Industry During the Cultural Revolution]

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List of the Yangbanxi (Barbara Mittler).

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-----. "Cultural Revolution Model Works and the Politics of Modernization in China: An Analysis of Taking Tiger Mountain by Strategy." The World of Music. Special Issue, Traditional Music and Composition 2 (2003): 53-81.

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-----. Bridge Across Broken Time: Chinese and Jewish Cultural Memory. New Haven: Yale University Press, 1998.

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Virtual Museum of the Cultural Revolution (CND).

Yang Jian. Wenhua dageming zhong de dixia wenxue (Underground literature of the Cultural Revolution). Beijing: Zhaohua, 1993.

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-----. "Ideological Style in the Language of the Chinese Novels of the Cultural Revolution." Modern Chinese Literature 10, 1/2 (1998): 149-172.

-----. "The Language of Chinese Fiction of the Cultural Revolution: An Anti-dialectal Style." Copenhagen Journal of Asian Studies 15 (2001).

-----. "'Socialist Realism' versus 'Revolutionary Realism plus Revolutionary Romanticism.'" In Chung, ed. In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China. Critical Studies no. 6. Amsterdam: Rodopi, 1996, 88-105.

Yee, Law Kam, ed. Beyond a Holocaust: The Cultural Revolution Revisited. NY: Oxford UP, forthcoming.

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-----. "To Screw Foreigners is Patriotic: China's Avant-Garde Nationalists." The China Journal 34 (July 1995).

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-----. "The Aesthetics and Anesthetics of Memory: PRC Avant-Garde Fiction." In Braester, Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China. Stanford: Stanford UP, 2003, 177-91.

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-----. "Blooming and Contending: Chinese Writers' Response on Chinese Literature." AJCA 8 (1982): 127-35.

-----. "Two Steps Forward, One Step Back: Towards a 'Free Literature.'" Australian Journal of Chinese Affairs 19/20 (Jan/July 1988): 81-126.

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Chen Fong-ching and Jin Guantao. From Youthful Manuscripts to River Elegy: The Chinese Popular Cultural Movement and Political Transformation, 1979-1989. HK: Chinese University of HK Press, 1997.

Chen, Jo-hsi. Democracy Wall and the Unofficial Journals. Berkeley: Center for Chinese Studies, University of California, 1982.

Chen, Xiaomei. "Misunderstanding Western Modernism: The Menglong Movement in Post-Mao China." Representations 35 (Summer 1991): 143-63.

-----. Occidentalism: A Theory of Counterdiscourse in Post-Mao China. NY: Oxford UP, 1995.

-----. "Women as Dramatic Other in the Body Politics of Post-Mao Theater," in China's Perception of Peace, War, and the World. Eds., Gerd Kaminski, Barbara Kreissl, and Constantine Tung. Wien: Ludwig Bolzmann Institut fur China, 1997, 160-67.

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-----. "A Stage of Their Own: Feminism, Countervoices, and the Problematic of Women's Theater." In Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 235-60. [MCLC Resource Center review by Ruru Li]

-----. "From Discontented Mother to Woman Warrior: Body Politics in Post-Maoist Theater." In Chen, Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002, 261-90. [MCLC Resource Center review by Ruru Li]

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Chiu, Ling-yeong. "The Pen is Mightier than the Sword: A Study of the Wounded Literature in China Since 1976." In: Chen, Edward K.Y., and Steve S.K. Chin, eds. Development and Change in China. Hong Kong: Centre of Asian Studies, University of Hong Kong, 1981, 313-326 .

Chou, Yu-shan. "Communist China's 'Scar Literature.'" Issues and Studies (Taipei) 16, 2 (Feb 1980): 57-67.

-----. "Chang and Continuity in Communist Chinese Policy on Literature and Art." Issues and Studies 22, 9 (Jan. 1986): 9-12.

Chung, Hilary and Tommy McClellan. "The 'Command Enjoyment' of Literature in China: Conferences, Controls and Excesses." In Chung, ed. In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China. Critical Studies no. 6. Amsterdam: Rodopi, 1996, 1-23. [deals with the Yan'an Forum and the 1979 Fourth Congress of Chinese Writers and Artist and compares them to similar conferences in the Soviet Union]

Clarke, Donald C. "Political Power and Authority in Recent Chinese Literature." China Quarterly 102 (1985): 234-52.

Diefenbach, Thilo. Kontexte der Gewalt in moderner Chineschiche Literatur. Wiesbaden: Harrassowitz Verlag, 2004. [deals primarily with Mo Yan, Su Tong, Zhang Wei, and Chen Zhongshi]

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Duke, Michael S. "Chinese Literature in the Post-Mao Era: The Return of ‘Critical Realism.’" The Bulletin of Concerned Asian Scholars 16, 3 (1984): 2-5.

-----. "Reinventing China: Cultural Exploration in Contemporary Chinese Fiction." In Bih-jaw Lin, ed. Post-Mao Sociopolitical Changes in Mainland China: The Literary Perspective. Taibei: Institute of International Relations, National Chengchi University, 1991, 23-44.

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Goldblatt, Howard. "Fresh Flowers Abloom Again: Chinese Literature on the Rebound." World Literature Today 55, 1 (1981): 7-10.

-----, ed. Chinese Literature Frpm the 1980s: The Fourth Congress of Writers and Artists. Armonk: M.E. Sharpe, 1982.

-----, ed. Worlds Apart: Recent Chinese Writing and Its Audiences. Armonk: M.E. Sharped, 1990.

Goodman, David S.G. Beijing Street Voices: The Poetry and Politics of China's Democracy Movement. London: Marion Boyers, 1981.

-----. "To Write the Word for Man Across the Sky: Literature and its Political Context in the People's Republic of China, 1978-1982." The Journal of Communist Studies (March 1985).

Gu, Edward X. "Cultural Intellectuals and the Politics of the Cultural Public Space in Communist China (1979-1989): A Case Study of Three Intellectual Groups." Journal of Asian Studies 58, 2 (May 1999): 389-431.

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Haishi Zou Hao: Chinese Poetry, Drama and Literature of the 1980's. Bonn: Engelhardt-NG, 1989.

Harnisch, Thomas. Chinas neue Literature: Schrifsteller und ihre Kurzgeschicten in den Jahren 1978-1979. Bochum: Brockmeyer, 1985.

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-----. China's New Cultural Scene: A Handbook of Changes. Durham: Duke UP, 2000.

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King, Richard. "'Wounds' and 'Exposure': Chinese Literature after the Gang of Four." Pacific Affairs 54, 1 (1981): 92-99.

-----. "Writings on the Urban Youth Generation." Renditions 50 (1998): 4-9.

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Kinkley, Jeffrey, ed. After Mao: Chinese Literature and Society, 1978-1981. Cambridge, MA: Harvard UP, 1985.

-----. "New Realism in Contemporary Chinese Literature" (review article). Journal of Chinese Language Teachers Association 17, 1 (1982): 77-100.

Kleinman, Arthur. "How Bodies Remember: Social Memory and Bodily Experience of Criticism, Resistance and Deligitimation Following China's Cultural Revolution." New Literary History 25, 1 (Winter 1994): 27-48.

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-----. "Four Trends in the Politics of Chinese Culture." In Bih-jao Lin and James T. Meyers, eds., Forces for Change in Contemporary China. Taipei: Institute of International Relations, 1992, 213-24.

Larson, Wendy and Richard Krauss. "Chinas Writers, The Nobel Prize, and the International Politics of Literature." Australian Journal of Chinese Affairs 21 (1989): 143-60.

-----.. "Realism, Modernism, and the Anti-'Spiritual Pollution' Campaign in Modern China." Modern China 15, 1 (Jan. 1989): 37-71.

Lau, Joseph. "The Wounded and the Fatigued: Reflections on Post-1976 Chinese Fiction." Journal of Oriental Studies 20, 2 (1982): 128-42.

Lee, Gregory. Troubadours, Trumpters, Troubled Masks: Lyricism, Nationalism, and Hybridity in China and Its Others. Durham: Duke UP, 1996.

La Litterature chinoise contemporaine, tradition et modernite: colloque d'Aix-en-Provence, le 8 juin 1988. Aix-en-Provence: Publications de l'Universite de Provence, 1989.

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Li, Xia. "Confucius, Playboys and Rusticated Glasperlenspieler: from Classical Chinese Poetry to Postmodernism." Interlitterraria (Tartu, Estonia) 4 (1999): 41-60.

Li, Xiaojiang. "Resisting While Holding the Tradition: Claims for Rights Raised in Literature by Chinese Women Writers in the New Period." Tamkang Review 30, 2 (Winter, 1999): 99-110. Rpt. in Peng-hisang Chen and Whitney Crothers Dilley, eds., Feminism/Femininity in Chinese Literature. Amsterdam,: Rodopi, 2002, 109-116.

Lin, Bih-jaw, ed. Post-Mao Sociopolitical Changes in Mainland China: The Literary Perspective. Taibei: Institute of International Relations, National Chengchi University, 1991.

Lin, Min and Maria Galikowski. The Search for Modernity: Chinese Intellectuals and Cultural Discourse in the Post-Mao Era. NY: St. Martin's Press, 1999.

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Liu, Kang. "Subjectivity, Marxism, and Cultural Theory in China." In X. Tang and K. Liu, eds. Politics, Ideology, and Literary Discourse in Modern China: Theoretical Interventions and Cultural Critique. Durham: Duke UP, 1993, 23-54.

Liu, Toming Jun. "Uses and Abuses of Sentimental Nationalism: Mnemonic Disquiet in Heshang and Shuobu." Modern Chinese Literature and Culture 13, 1 (Spring 2001): 169-209.

Liu, Zaifu. "Chinese Literature in the Past Ten Years: Spirit and Direction." Chinese Literature (Autumn 1989): 151-77.

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Louie, Kam. "Discussions of Exposure Literature Since the Fall of the Gang of Four." Contemporary China 3, 4 (1979): 91-102.

-----. "The Uses of Literature as Social Commentary in Present Day China." China in the Eighties Conference Papers. Goulburn: Goulburn College of Advanced Education, 1980, 22-33

-----. "Between Paradise and Hell: Literary Double-Think in Post-Mao China." AJCA 10 (1983): 99-113.

-----. Between Fact and Fiction: Essays on Post-Mao Chinese Literature and Society. Broadway, NSW: Wild Peony, 1989.

-----. "Educated Youth Literature: Self-Discovery in the Chinese Villages." In Louie, Between Fact and Fiction: Essays on Post-Mao Chinese Literature and Society. Sydney: Wild Peony, 1989, 91-102.

-----. "Discussion of Exposure Literature in the Chinese Press, 1978-1979." In Louie, Between Fact and Fiction: Essays on Post-Mao Chinese Literature and Society. Sydney: Wild Peony, 1989, 1-13.

-----. "Love Stories: The Meaning of Love and Marriage in China, 1978-1981." In Louie, Between Fact and Fiction: Essays on Post-Mao Chinese Literature and Society. Sydney: Wild Peony, 1989, 41-75.

Lu, Jie. "Cultural Invention and Cultural Intervention: Reading Chinese Urban Fiction of the Nineties." Modern Chinese Liteature and Culture 13, 1 (Spring 2001): 107-39.

Lu, Tonglin. Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction. Stanford: SUP, 1995.

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Martin, Helmut. Origins and Consequences of China's Democracy Movement 1989 : Social and Cultural Criticism in the PRC. Köln: Bundesinstitut für Ostwissenschaftliche und Internationale Studien,1990.

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Martin, Helmut, ed. Cologne-Workshop 1984 on Contemporary Chinese Literature: Chinesische Gegenwartsliterature. Koln: Deutsche Welle, 1986.

----- and Karl-Heinz Pohl, eds. Chinesische Schriftsteller der 80er Jahre. Special issue of Akzente (Munich) 2 (April 1985).

McDougall, Bonnie. "Censorship and Self-Censorship in Chinese Poetry and Fiction." In McDougall, Fictional Authors, Imaginary Audiences: Modern Chinese Literature in the Twentieth Century. HK: Chinese University Press, 2003, 205-24.

-----. "Censorship and Self-Censorship in Contemporary Chinese Literature." In Susan Whitfield, ed., After the Event: Human Rights and their Future in China. London: Wellsweep, 1993, 73-90.

-----. "Poems, Poets, and Poetry 1976: An Exercise in the Typology of Modern Chinese Literature." Contemporary China 2, 4 (Winter 1978).

-----. "Dissent Literature: Official and Nonofficial Literature In and About China in the Seventies." Contemporary China 3, no. 4 (1979): 49-79.

-----. "Underground Literature: Two Reports from Hong Kong." Contemporary China 3, 4 (1979): 80-90.

-----. "Breaking Through: Literature and the Arts in China, 1976-1986." Copehagen Papers in East and Southeast Asian Studies 1 (1988): 35-65. Rpt. in McDougall, Fictional Authors, Imaginary Audiences: Modern Chinese Literature in the Twentieth Century. HK: Chinese University Press, 2003, 171-204.

-----. "Problems and Possibilities in Translating Contemporary Chinese Literature." The Australian Journal of Chinese Affairs 25 (Jan. 1991): 37-67.

Misra, Kalpana. From Post-Maoism to Post-Marxism: The Erosion of Official Ideology in Deng's China. NY: Routledge, 1998.

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Neder, Christina. Lesen in der Volksrepublik China: eine empirisch-qualitative Studie zu Leseverhalten und Lektürepräferenzen der Pekinger Stadtbevölkerung vor dem Hintergrund der Transformation des chinesischen Buch- und Verlagswesens 1978-1995. Hamburg: Institut für Asienkunde, 1999. [empirical study of reading habits in the post-Mao period]

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Twitchell, Jeffrey and Huang Fan. "Avant-Garde Poetry in China: The Nanjing Scene 1981-1992." World Literature Today 71, 1 (1997): 29-35.

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-----. "Divergent Portrayals of the Rustication Experience in Chinese Narrative After Mao." Contrastes: Revue de linguistique contrastive (Paris) 18/19 (1989): 89-97.

-----. "Some Provincial Precursors of Popular Dissent Movements in Beijing." China Information 6, 1 (1991): 1-9. [analyzes Hu Ping's 1989 reportage novel, Zhongguo de mouzi, among other matters relevant to contemporary Chinese literature and culture].

-----. "Migrant Laborer Subcultures in Recent Chinese Literature: a Communicative Perspective." Intercultural Communication Studies 8, 2 (1998-99): 153-161. [discusses the literary portrayal of contemporary rural mangliu, esp. in Zhang Mingyuan's 1989 play, Duo yu de xiatian].

-----. "Ingraining Self-Censorship and Other Functions of the Laogai, as Revealed in Chinese Fiction and Reportage." In Voices from the Laogai: Fifty Years of Surviving China's Forced Labor Camps. Washington: Laogai Research Foundation, 2000, 97-104.

-----. "Remolding and the Labor Camp Novel." Asia Major 4, 2 (1991): 133-149.

Williams, Philip F. and Yenna Wu. The Great Wall of Confinement: The Chinese Prison Camp Through Contemporary Fiction and Reportage. Berkeley: UCP, 2004. [contains a history of incarercation in China, as well as an overview of prison camps in the PRC, but it's main focus is to look at post-Mao literary representations of prison camps]

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Yang, Haiou. "'Cultural Fever': A Cultural Discourse in China's Post-Mao Era." In Virginia R. Dominguez and David Y. H. Wu, eds., From Beijing to Port Moresby: The Politics of National Identity in Cultural Policies. Amsterdam: Gordon and Breach, 1998, 207-45..

Yang, Xiaobin. Selections from Lishi yu xiuci (History and rhetoric). Contemporary Chinese Literature, 1999. [in Chinese, browser required]

-----. The Chinese Postmodern: Trauma and Irony in Chinese Avant-garde Fiction. Ann Arbor: University of Michigan Press, 2002. [MCLC Resource Center review by Wendy Larson]

Yeh, Michelle. "Misty Poetry." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 520-26.

Zhang, Xudong. Chinese Modernism in the Era of Reforms: Culture Fever, Avant-garde Fiction, and the New Chinese Cinema. Durham: Duke UP, 1997.

Zhao, Henry. "New Waves in Recent Chinese Fiction." In Henry Zhao, ed., The Lost Boat: Avant-garde Fiction from China. London: Wellsweep, 1993, 9-18.

Zhong, Xueping. "Shanghai Shimin Literature and the Ambivalence of (Urban) Home." Modern Chinese Literature 9, 1 (1995): 79-99.

-----. Masculinity Besieged? Issues of Modernity and Male Subjectivity in Chinese Literature of the late Twentieth Century. Durham: Duke UP, 2000.

Zhou, Xiaoyi. "The Ideological Function of Western Aesthetics in 1980s China." Literary Research / Recherche Litteraire 18, 35 (Spring-Summer 2001): 112-19.

Cai, Rong. The Subject in Crisis in Contemporary Chinese Literature. Honolulu: University of Hawaii Press, 2004.

Chen, Jianguo. "The Logic of the Phantasm: Haunting and Spectrality in Contemporary Chinese Literary Imagination." Modern Chinese Literature and Culture 14, 1 (Spring 2002): 231-65. [deals with texts by Mo Yan, Chen Cun, and Yu Hua]

Chen, Jianhua. "Local and Global in Narrative Contestation: Liberalism and the New Left in Late 1990s China." Journal of Asian Pacific Communication 9, 1-2 (1998).

Chen, Xiaomei. Acting the Right Part: Political Theater and Popular Drama in Contemporary China, 1966-1996. Honolulu: University of Hawaii, 2002. [MCLC Resource Center review by Ruru Li]

Cheng, Yinghong. "Che Guevara: Dramatizing China's Divided Intelligentsia at the Turn of the Century." Modern Chinese Literature and Culture 15, 2 (Fall 2003): 1-44.

Conceison, Claire. "Hot Tickets: China's New Generation Takes the Stage." Persimmon 3, 1 (Spring 2002): 18-27.

Dai, Jinhua. "Redemption and Consumption: Depicting Culture in the 1990s." positions east asia cultures critique 4, 1 (Spring 1996): 127-43.

-----. "Invisible Writing: The Politics of Chinese Mass Culture in the 1990s." Modern Chinese Literature and Culture 11,1 (Spring 1999): 31-60.

Davis, Edward, ed. Encyclopedia of Contemporary Chinese Culture. London: Routledge, 2004.

Day, Michael. "Poetry." Digital Archive for Chinese Studies (DACHS), Leiden Division. [study of contemporary Chinese poetry websites]

Edwards, Louise. "Consolidating a Socialist Patriarchy: The Women's Writers' Industry and 'Feminist' Literary Criticism." In Antonia Finnan and Ann McLaren, eds. Dress, Sex and Text in Chinese Culture. Clayton, Australia: Monash Asia Institute, 1999, 183-97.

Friedman, Edward. "Democracy and 'Mao Fever.'" Journal of Contemporary China 6 (Summer 1994): 84-95.

Gan Yang. "A Critique of Chinese Conservatism in the 1990s." Social Text 55 (Summer 1998): 45-66.

Goldblatt, Howard. "Border Crossings: Chinese Writing, in Their World and Ours." In Timothy B. Weston and Lionel Jensen, eds., China Beyond the Headlines. Lanham, MD: Rowan and Littlefield, 2000, 327-45.

Goldman, Merle. “Poltically-Engaged Intellectuals in the 1990s.” The China Quarterly 159 (Sept. 1999): 700-711.

Guo, Yingjie. Cultural Nationalism in Contemporary China: The Search for National Identity under Reform. London: RoutledgeCurzon, 2004.

-----. "Pushing the (Red) Envelope." Time Asia 156, 16 (Oct 23, 2000). [ part of a special issue on youth in China, includes brief looks at works by Wei Hui, Mian Mian, Yu Xiu, Han Han, and Zhu Wen.]

Hao, Zhidong. Intellectuals at a Crossroads: The Changing Politics of China's Knowledge Workers. Albany: State University of New York Press, 2003.

He, Baogang and Yingjie Guo. "Patriotic Villains and Patriotic Heroes: New Trends in Literary Nationalism." In Nationalism, National Identity and Democratization in China. Brookfield, VT: Ashgate Publishing, 2000, 53-78.

He, Ping. China's Search for Modernity: Cultural Discourse in the Late 20th Century. Houndmills: PalgraveMacmillan, 2002.

Hillenbrand, Margaret. "Beleaguered Husbands: Representations of Marital Breakdown in Some Recent Mainland Fiction." Tamkang Review 30, 2 (1999).

Hockx, Michel. "Links with the Past: Mainland China's Online Literary Communities and their Antecedents." Journal of Contemporary China 13, 38 (Feb. 2004): 105-27.

Abstract: This article compares Chinese literary journals from the early twentieth century with a Mainland Chinese literary website from the early twenty-first century. In both these periods, literary practice underwent significant changes as a result of major changes in the technological processes involved in the production and distribution of texts. Five aspects of these changes are examined: the mixed media environment, the provision of information about authors' identities, engagement with social issues, community building, and the relationship with serious literature. The article argues that a very traditional Chinese view of literature as a socially embedded act of communication continued to play a significant role in both periods, and was even further enhanced through interaction with the new technologies. Despite the fact that both types of publication appeal(ed) to large readerships, it is argued that it is not helpful simply to consider them as 'popular literature'. Both the journals from 100 years ago and the website of today represent literary communities that share a serious view of literature, albeit one that is not compatible with the familiar New Literature paradigm.

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-----. China's New Cultural Scene: A Handbook of Changes. Durham: Duke UP, 2000.

-----. "Literary Experiments: Six Files." In Huot, China's New Cultural Scene: A Handbook of Changes. Durham: Duke University Press, 2000, 7-48. [deals mostly with avant-garde writers]

Huters, Theodore. "Contemporary Chinese Letters." In Barbara Stoler Miller, ed., Masterworks of Asian Literature in Comparative Perspective: A Guide for Teaching. Armonk, NY: Sharpe, 1994, 330-44.

Jones, Andrew F. "Avante-Garde Fiction in China." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 554-60.

Kong, Shuyu. "Between a Rock and a Hard Place: Chinese Literary Journals in the Cultural Marketplace." Modern Chinese Literature and Culture 14, 1 (Spring 2002): 93-144.

-----. Consuming Literature: Best Sellers and the Commercialization of Literary Production in Contemporary China. Stanford: Stanford UP, 2004.

Kramer, Oliver. "No Past to Long For?: A Sociology of Chinese Writers in Exile." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 161-77.

-----. "Nostalgia in Contemporary Chinese Exile Literature." Paper presented at EASC in Prague 1994.

Kraus, Richard. "Public Monuments and Private Pleasures in the Parks of Nanjing: A Tango in the Ruins of the Ming Emperor's Palace." In Deborah Davis, ed., China's Consumer Revolution. Berkeley: UCP, 1999.

-----. "China in 2003: From SARS to Spaceships." Asian Survey 44 (January/February 2004): 147-157.

"Issues in Contemporary Chinese Literature: Informal Roundtable Discussion by Three Authors: Wang Meng, Liu Sola, Zha Jianying." Tr. Marshal McArthur. Baker Institute, Rice University (March 10, 1998).

Larson, Wendy. "Never This Wild: Sexing the Cultural Revolution." Modern China 25, 4 (1999): 423-50.

Laughlin, Charles. "Literature and Popular Culture." In Robert E. Gamer, ed., Understanding Contemporary China. Boulder: Lynne Rienner, 1999.

Laurence, Patricia. "Beyond the Little Red Book: Literature in China Today." The Nation (Sept. 4-11, 2000): 31-37.

Lei, Guang. "Rural Taste, Urban Fashions: The Cultural Politics of Rural/Urban Difference in Contemporary China." positions 11, 3 (Winter 2003): 613-46.

Li Fukan and Eva Hung. "Post-Misty Poetry." Renditions 37 (1992): 93-98.

Li, Xia. "Metropolis in Twilight: Urban Consciousness in Contemporary Chinese Literature." Interlitteraria 6 (2001): 19-45.

Li, Xiaojiang. "Resisting While Holding the Tradition: Claims for Rights Raised in Literature by Chinese Women Writers in the New Period." Tamkang Review 30, 2 (Winter, 1999): 99-110. Rpt. in Peng-hisang Chen and Whitney Crothers Dilley, eds., Feminism/Femininity in Chinese Literature. Amsterdam,: Rodopi, 2002, 109-116.

Lin, Min and Maria Galikowski. The Search for Modernity: Chinese Intellectuals and Cultural Discourse in the Post-Mao Era. NY: St. Martin's Press, 1999.

Link, Perry. The Uses of Literature: Life in the Socialist Chinese Literary System. Princeton: Princeton UP, 2000.

Liu, Kang. "Is There an Alternative to (Capitalist) Globalization?: The Debate About Modernity in China." In Fredric Jameson and Masao Miyoshi, eds., The Cultures of Globalization. Durham, NC: Duke UP, 1998, 164-90.

Liu, Kang. "What Is 'Socialism with Chinese Characteristics'? Issues of Culture, Politics, and Ideology." In Liu, Globalization and Cultural Trends in China. Honolulu: University of Hawai'I Press, 2004, 46-77.

-----. Globalization and Cultural Trends in China. Honlulu: University of Hawai'i Press, 2004.

Liu, Lydia. "What's Happened to Ideology? Transnationalism, Postsocialism, and the Study of Global Media Culture." Duke Working Papers in Asian / Pacific Studies (Spring 1998).

Liu, Qingfeng. "The Topography of Intellectual Culture in 1990s Mainland China: A Survey." Tr.Gloria Davies. In Gloria Davies, ed. Voicing Concerns: Contemporary Chinese Critical Inquiry. Lanham, MD: Rowman and Littlefied, 2001, 47-70.

Liu, Toming Jun. "Uses and Abuses of Sentimental Nationalism: Mnemonic Disquiet in Heshang and Shuobu." Modern Chinese Literature and Culture 13, 1 (Spring 2001): 169-209.

Lu, Jie. "Exploration of Language: The Foregrounding of Style in Contemporary Chinese Fiction." American Journal of Chinese Studies 5, 1 (1998): 111-30.

-----. "Cultural Invention and Cultural Intervention: Reading Chinese Urban Fiction of the Nineties." Modern Chinese Liteature and Culture 13, 1 (Spring 2001): 107-39.

Lu, Sheldon H. "Literature: Intellectuals in the Ruined Metropolis at the Fin-de-siecle." In Lu, ed., China, Trannational Visuality, Global Postmodernity. Stanford: Stanford UP, 2002, 239-59.

Ma, Shu Yun. "The Rise and Fall of Neo-Authoritarianism in China." China Information 5, 3 (Winter 1990/91).

McDougall, Bonnie. "Censorship & Self-Censorship in Contemporary Chinese Literature." In Susan Whitfield, ed., After the Event: Human Rights and their Future in China. London: Wellsweep Press, 1993: 73-90.

-----. “Literary Decorum or Carnivalistic Grotesque: Literature in the People’s Republic of China after 50 Years.” The China Quarterly 159 (Sept. 1999): 723-33.

Misra, Kalpana. From Post-Maoism to Post-Marxism: The Erosion of Official Ideology in Deng's China. NY: Routledge, 1998.

Mok, Ka-ho. Intellectuals and the State in Post-Mao China. NY: St. Martin's Press, 1998. [discusses Yan Jiaqi, Fang Lizhi, Liu Binyan, and Liu Xiaobo]

Neder, Christina. Lesen in der Volksrepublik China: eine empirisch-qualitative Studie zu Leseverhalten und Lektürepräferenzen der Pekinger Stadtbevölkerung vor dem Hintergrund der Transformation des chinesischen Buch- und Verlagswesens 1978-1995. Hamburg: Institut für Asienkunde, 1999. [empirical study of reading habits in the post-Mao period]

Pirazzoli, Melinda. "Free Market Economy and Chinese Literature." World Literature Today 70 (1996).

Shi, Anbin. A Comparative Approach to Redefining Chinese-ness in the Era of Globalization. Lewiston, NY: Mellen Press, 2003, 129-206.[a general introductory chapter, with chapters on Cui Jian, Wei Hui and Wang Xiaobo, and Zhaxi Dawa]

Shu, Yunzhong. "New Historical Fiction in China." Chinese Culture 37 (1996): 87-110.

Sautman, Barry. "Sirens of the Strongman: New-Authoritarianism in Recent Chinese Political Theory." China Quarterly 129 (March 1992): 72-102.

Tang, Yijie. "Some Reflections on New Confucianism in Mainland Chinese Culture of the 1990s." Tr.Gloria Davies. In Gloria Davies, ed. Voicing Concerns: Contemporary Chinese Critical Inquiry. Lanham, MD: Rowman and Littlefied, 2001, 123-34.

Tao, Naikan. "Going Beyond: Post-Menglong Poets." The Journal of the Oriental Society of Australia 27/28 (1995/96): 146-53.

Twitchell, Jeffrey and Huang Fan. "Avant-Garde Poetry in China: The Nanjing Scene 1981-1992." World Literature Today 71, 1 (1997): 29-35.

van Crevel, Maghiel. “The Horror of Being Ignored and the Pleasure of Being Left Alone: Notes on the Chinese Poetry Scene.” MCLC Resource Center Publication (April 2003).

Visser, Robin. "Privacy and its Ill Effects in Post-Mao Urban Fiction." In Bonnie S. McDougall and Anders Hansson, eds. Chinese Concepts of Privacy. Leiden: Brill, 2002,171-194. [deals with texts by Chen Ran and Liu Heng, with bits on Sun Ganlu, Qiu Huadong, and Zhu Wen]

-----. "Post-Mao Urban Fiction." Jones, Andrew F. "Avante-Garde Fiction in China." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 570-77.

Wang, Ban. "Memory as History: Making Sense of the Past in Contemporary China." American Journal of Chinese Studies 5, 1 (1998): 49-67.

-----. "From Historical Narrative to the World of Prose: The Essayistic Mode in Contemporary Chinese Literature." In Martin Woesler, ed., The Modern Chinese Literary Essay: Defining the Chinese Self in the 20th Century. Bochum: Bochum UP, 2000, 173-88.

Wang, David Der-Wei. "Return to Go: Fictional Innovation in the Late Qing and the Late Twentieth Century." In Milena Dolezelova-Velingerova and Oldrich Kral, eds., The Appropriation of Cultural Capital: China's May Fourth Project. Cambridge: Harvard University Asia Center, 2001, 257-97.

Wang, Hui. "Contemporary Chinese Thought and the Question of Modernity." Social Text 55 (Summer 1998): 9-44.

-----. "PRC Cultural Studies and Cultural Criticism in the 1990s." Tr. Nicholas Kaldis. positions: east asian cultures critique 6, 1 (1998): 239-51.

-----. "Challenging the Eurocentric, Cold-war View of China and the Making of a Post-Tiananmen Intellectual Field." Xudong Zhang, ed. East Asia (Spring/Summer 2002).

-----. China’s New Order: Society, Politics and Economy in Transition. Ed. Theodore Huters. Cambridge: Harvard UP, 2003.

-----. "The Year 1989 and the Historical Roots of Neoliberalism in China." positions: east asia cultures critique 12, 1 (Spring 2004): 1-69.

Wang, Xiaoming. "China on the Brink of a 'Momemtous Era." positions east asia cultures critique 11, 3 (Winter 2003): 585-611.

Wedell-Wedellsbord, Anne. "Chinese Literature and Film in the 1990s." In Robert Benewick and Paul Wingrove, eds., China in the 1990s. Basingstoke: Macmillan Press, 1995, 224-33.

Williams, Philip F. "The Rage for Postism and a Chinese Scholar's Dissent." Academic Questions 12, 1 (Winter 1998-99): 43-53. [discusses Liu Zaifu and various debates over modern Chinese literary theory].

-----. "Migrant Laborer Subcultures in Recent Chinese Literature: a Communicative Perspective." Intercultural Communication Studies 8, 2 (1998-99): 153-161. [discusses the literary portrayal of contemporary rural mangliu, esp. in Zhang Mingyuan's 1989 play, Duo yu de xiatian].

Xu, Ben. "'From Modernity to Chineseness': The Rise of Nativist Cultural Theory in Post-1989 China." positions east asia cultures critique 6, 1 (1998): 203-37.

-----. Disenchanted Democracy: Chinese Cultural Criticism after 1989. Ann Arbor: University of Michigan Press, 1999.

-----. "Contesting Memory for Intellectual Self-Positioning: The 1990s' New Cultural Conservativism in China." Modern Chinese Literature and Culture 11, 1 (Spring 1999): 157-192.

Xu, Jilin. "The Fate of Enlightenment--Twenty Years in the Chinese Cultural Sphere, 1978-98." East Asian History 20 (Dec. 2000): 169-86.

Yang, Guobin. "China's Zhiqing Generation: Nostalgia, Identity, and Cultural Resistance in the 1990s." Modern China 29, 3 (July 2003): 267-96.

Yang, Xiaobin. "Maoist Discourse, Trauma and Chinese Avant-Garde Lierature." American Imago 51, 2 (1994).

-----. Selections from Lishi yu xiuci (History and rhetoric). Contemporary Chinese Literature, 1999. [in Chinese, browser required]

-----. "Whence and Whither the Postmodern/Post-Mao-Deng Historical Subjectivity and Literary Subjectivity in Modern China." In Xudong Zhang and Arif Dirlik, eds., Postmodernism and China. Durham: Duke UP, 2000, 379-98.

-----. The Chinese Postmodern: Trauma and Irony in Chinese Avant-garde Fiction. Ann Arbor: University of Michigan Press, 2002. [MCLC Resource Center review by Wendy Larson]

Yee, Law Kam, ed., Beyond a Holocaust: The Cultural Revolution Revisited. NY: Oxford University Press, forthcoming.

Zhang, Xudong. "Nationalism, Mass Culture, and Intellectual Strategies in Post-Tiananmen China." Social Text 55 (Summer 1998): 109-40.

-----. "Challenging the Eurocentric, Cold War View of China and the Making of a Post-Tiananmen Intellectual Field." East Asia 19, 1/2 (2001): 3-57. [available online through Ingenta Select]

Zhang, Zhen. "The World Map of Haunting Dreams: Reading Post-1989 Chinese Women's Diaspora Writings." In Mayfair Mei Hui Yang, ed. Spaces of Their Own: Women's Public Sphere in Transnational China. Minneapolis: University of Minnesota Press, 1999, 308-35. [deals with disporic writings of Liu Suola, Zha Jianying, Hong Ying, and You You]

Zhao, Bin. "Consumerism, Confucianism, Communism: Making Sense of China Today." New Left Review (March-April 1997): 43-59.

Zhao, Henry Y.H. "Those Who Live in Exile Lose Belief But Create Literature." In Breaking the Barriers: Chinese Literature Facing the World. Stockholm: The Olof Palme International Center, Sweden, 130-50.

Braester, Yomi. "Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery ." In Braester, Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China. Stanford: Stanford UP, 2003, 158-76..

Chang, Chiung-fang. "Taiwan Literature: The Next Export Success Story?" Sinorama 26, 1 (Jan. 2001).

Chang, Shi-kuo. "Realism in Taiwan Fiction: Two Directions." In Jeannette L. Faurot, ed. Chinese Fiction from Taiwan: Critical Perspectives. Bloomington: Indiana UP, 1980, 31-42.

Chang, Sung-cheng Yvonne. Modernism and the Nativist Resistance: Contemporary Fiction from Taiwan. Durham: Duke University Press, 1993.

-----. "Beyond Cultural and National Identities: Current Re-evaluation of the Kominka Literature from Taiwan's Japanese Period." Journal of Modern Literature in Chinese 1, 1 (1997): 75-107.

-----. "Elements of Modernism in Fiction from Taiwan." Tamkang Review 19, 1-4 (Aut. 1988/Sum. 1989): 591-606.

-----. "Modern Taiwanese Fiction from Taiwan." In Murray Rubinstein, ed., Taiwan: A History, 1600-1994. Armonk: M.E. Sharpe, 1998.

-----. "Modernism and Contemporary Fiction of Taiwan." In Roger Bauer, Douwe Fokkema, eds., Proceedings of the XIIth Conference of the Inernational Comparative Literature Association: Space and Boundaries of Literature. Munich: Iudicium, 1990, 285-90.

-----. "Three Generations of Taiwan's Contemporary Women Writers: A Critical Introduction." In Ann Carver and Sung-cheng Yvonne Chang, eds., Bamboo Shoots After the Rain: Contemporary Stories of Taiwan. NY: The Feminist Press, 1990.

-----. "Taiwanese New Literature and the Colonial Context: A Historical Survey." In Murray A. Rubinstein, ed. Taiwan: A New History. Armonk, NY: M.E. Sharpe, 1999, 261-74.

-----. "Literature in Post-1949 Taiwan, 1950s to 1980s." In Murray A. Rubinstein, ed. Taiwan: A New History. Armonk, NY: M.E. Sharpe, 1999, 403-18.

Chen, Aili. The Search for Cultural Identity: Taiwan 'Hsiang-T'u' Literature in the Seventies. Ph.d. diss. Columbus: The Ohio State University, 1991.

Chen, Chang-fang and Sung Mei-hwa. "Elements of Chang in the Fiction of Taiwan in the 1980s." The Chinese Pen (Summer 1989): 31-42.

Chen, Jo-hsi. "Literary Formosa." The China Quarterly 15 (July-Sept, 1963): 75-85.

Chen, Lucy. "Literary Formosa." In Mark Mancall, ed., Formosa Today. NY, London: Praeger, 1964, 131-41.

Chen, Shao-Hsing. "Diffusion and Acceptance of Modern Artistic and Intellectual Expression in Taiwan." Studia Taiwanica 2 (1957): 1-6.

Chen, Shou-yi. "Contemporary Literature in Taiwan." Claremont Quarterly 11, 3 (1964): 50-70.

Cheung, Dominic. "The Continuity of Modern Chinese Poetry in Taiwan." World Literature Today 65, 3 (1991): 399-404.

Chi, Pang Yuan. "Taiwan's History in Literature." Solidarity 120 (1988): 51-58.

-----. "Taiwan Literature, 1945-1999." In Pang-yuan Chi and David Wang, eds., Chinese Literature in the Second Half of the Twentieth Century: A Critical Survey. Bloomington: Indiana UP, 2000, 14-30.

Chien, Ying ying. "From Utopian to Dystopian World: Two Faces of Feminism in Contemporary Taiwanese Women's Fiction." World Literature Today 68, 1 (1994): 35-42.

Chiu, Kuei fen. "Taking Off: A Feminist Approach to Two Contemporary Women's Novels in Taiwan." Tamkang Review 23, 1-4 (1992-1993): 709-33.

-----. "Identity Politics in Contemporary Women's Novels in Taiwan." Tamkang Review 30, 2 (Winter 1999): 27-54. Rpt. in Peng-hisang Chen and Whitney Crothers Dilley, eds., Feminism/Femininity in Chinese Literature. Amsterdam,: Rodopi, 2002, 67-86.

Chong, Ling. "Feminism and Female Taiwan Writers." In Pang-yuan Chi and David Wang, eds., Chinese Literature in the Second Half of the Twentieth Century: A Critical Survey. Bloomington: Indiana UP, 2000, 146-60.

Chou, Ying-hsiung. "Between History and the Unconscious: Contemporary Taiwanese Fiction Revisited." Tamkang Review 22, 1-4 (1991): 155-76.

Chun, Allen. "The Culture Industry as National Enterprise: The Politics of Heritage in Contemporary Taiwan." In Virginia R. Dominguez and David Y. H. Wu, eds., From Beijing to Port Moresby: The Politics of National Identity in Cultural Policies. Amsterdam: Gordon and Breach, 1998, 77-113.

Chung, Mingder. The Little Theatre Movement of Taiwan (1980-1989): In Search of Alternative Aesthetics and Politics. Ph.D. diss. NY: New York University, 1992.

"Contemporary Literature in Taiwan." Special Section of Free China Review 41, 4 (April 1991): 1-47.

Damm, Jens. Ku'er vs. tongzhi - Diskurse der Homosexualität. Über das Entstehen sexueller Identitäten im glokalisierten Taiwan und im postkolonialen Hongkong (Discourses on homosexual identities in Taiwan and Hong Kong). Bochum: Cathay Skripten, Taiwan Studies Series, no. 16, 2000.

[Abstract: During the nineties, two different discourses on homosexual identity have developed in Hong Kong and in Taiwan: a tongzhi-discourse in Hong Kong, which attributes the negative attitude toward homosexuality in modern Chinese societies to the influence of (post)colonialism and appeals for a more tolerant attitude by making frequent and pointed reference to the Chinese tradition of male homosexual relationships. The Taiwanese ku'er (queer) discourse, which regards Taiwanese society as being firmly embedded in a globalized world, may therefore be seen as resulting from a blend of glocalized influences and a more tolerant attitude is only possible in a pluralistic society where the flow of gender and desire is recognized. In the paper, two recently published works are presented as examples for the two discourses: Post-Colonial 'Tongzhi', written by the Hong Kong sociologist Zhou Huashan and Queer Archipelago: A Reader of the Queer Discourses in Taiwan compiled by the Taiwanese author of belles-lettres and ku'er-theoretician Ji Dawei. It is also shown that the differences in the discourses may be traced back to the drifting apart of the political and social scenarios in Taiwan and Hong Kong.]

Diamond, Catherine Theresa Cleeves. The Role of Cross-cultural Adaptation in the Little Theatre Movement in Taiwan. Ph.D. diss. Seattle: University of Washington, 1993.

Dutrait, Noel. "Four Taiwanese Writers on Themselves Chu T'ien-wen, Su Wei Chen, Cheng Chiung-ming and Ye Lingfang respond to our questionnaire." China Perspectives 17 (May/June 1998).

Faurot, Jeannette L., ed. Chinese Fiction from Taiwan: Critical Perspectives. Bloomington: Indiana UP, 1980.

Fix, Douglas L. Conscripted Writers: Collaborating tales?: Taiwanese War Stories. Cambridge, Mass: Fairbank Center, 1994.

-----. “Conscripted Writers, Collaborating Tales? Taiwanese War Stories.” Harvard Studies on Taiwan: Papers of the Taiwan Studies Workshop 2 (1998): 19-41.

Fleming, Brent Leonard. Theatre Management Procedures: An Operations Manual for the Cultural Center Theatres in Taiwan, the Republic of China. Ph.D.diss. Texas Technical University, 1987.

Haddon, Rosemary M. "Mimesis and Motivation in Taiwan Colonial Fiction." B.C. Asian Review 1 (1987)

-----. "The Xiangtu Wenxue Movement in Taiwan." B.C. Asian Review 1 (Dec. 1991).

-----. Nativist Fiction in China and Taiwan: A Thematic Survey. Ph.D. diss. Vancouver: University of British Columbia, 1993.

-----. "T'ai-wan hsin wen-hsueh and the Evolution of a Journal: T'ai-wan min-pao." Tamkang Review 25, 2 (1994): 1-35.

-----. "Introduction: Taiwanese Nativism and the Colonial/Post-Colonial Discourse." In Rosemary Haddon, tr./ed , Oxcart: Nativist Stories from Taiwan, 1934-1977. Dortmund: Projekt Verlag, 1996, v-xxv.

-----. "Engendering Women: Taiwan's Recent Fiction by Women." In Antonia Finnan and Ann McLaren, eds. Dress, Sex and Text in Chinese Culture. Clayton, Australia: Monash Asia Institute, 1999, 212-24.

Hammer, Christiane. Reif für die Insel. Ein Streifzug durch die taiwanesische Literature in deutscher Übersetzung. Mit einer Auswahlbibliographie (A Survey of Taiwanese literature in German translation. With a selective bibliography). Bochum: Cathay Skripten, Taiwan Studies Series, no. 14, 1999.

[Abstract: Compared with the literature from the Chinese mainland, modern texts from Taiwan in German translations lead a far more marginal life on Germany's book market. This is not so much attributable to a lack of quality, but correlates to the minor importance Taiwan studies enjoy in the field of German sinology, in stark contrast to the situation, e.g., in the USA. However, quite a number of translations are hidden in various theses and studies, the so-called 'grey literature'. This survey examines some of these semi-official publications, most of which were initiated by the late Professor Helmut Martin, and considers whether they provide useful references to interesting authors or even raw matereial which could be transformed into translations on a commercial scale.]

Hegel, Robert E. "The Search for Identity in Fiction from Taiwan." In Robert Hegel and Richard Hessney, eds., Expressions of Self in Chinese Literature. NY: Columbia UP, 1985. 342-360.

Hillenbrand, Margaret. "GIs and the City: the Vietnam War in Taiwanese Fiction of the 1970s and 1980s." Asian Studies Review 25, 4 (2001).

Hsiau, A-Chin. Contemporary Taiwanese Cultural Nationalism. NY: Routledge, 2000.

Hsu, Wen Hsiung. "Purism and Alienation in Recent Taiwanese Fiction." In Bjorn Jernudd and Michael Shapiro eds., The Politics of Language Purism. Berlin: Mouton de Gruyter, 1989, 197-210.

Hung, Eva (ed.); Pollard, D. E. (ed.) "Contemporary Taiwan Literature." Renditions 35/36 (1991).

Kinkley, Jeffrey. "Mainland Chinese Scholars' Images of Contemporary Taiwan Literature." In Sung-sheng Yvonne Chang and Michelle Yeh, eds., Contemporary Chinese Literature: Crossing the Boundaries. Special issue of Literature East and West. Austin, TX: Department of Middle Eastern Languages and Cultures, 1995, 25-42.

Kleeman, Faye Yuan. 2003. Under an Imperial Sun: Japanese Colonial Literature of Taiwan and the South. Honolulu: University of Hawai‘i Press.

Ko, Ch'ing-ming. "Modernism and Its Discontents: Taiwan Literature in the 1960s." In Pang-yuan Chi and David Wang, eds., Chinese Literature in the Second Half of the Twentieth Century: A Critical Survey. Bloomington: Indiana UP, 2000, 76-95.

Ku, Tim-hung. "Modernism in Modern Poetry of Taiwan, ROC: A Comparative Perspective." Tamkang Review 18 (1987/88): 125-39.

Lancashire, Edel Marie. Concord and Discord in the World of Literature in Taiwan, 1949-1971: A Selective Study of Writers' associations, Literary Movements and Controversial Writers. Ph.D. thesis. London: School of Oriental and African Studies, University of London,1981.

-----. "The Lock of the Heart Controversy in Taiwan, 1962-1963: A Question of Artistic Freedom and a Writer's Social Responsibility." The China Quarterly (Sept. 1985): 462-488.

Lau, Joseph. "Echoes of the May Fourth Movement in Taiwan Hsiang-t'u Fiction." In Hung-mao Tien, ed., Mainland China, Taiwan and US Policy. Cambridge, MA: OG Publishers, 1983, 135-50.

Lee, Leo Ou-fan. "Modernism and Romanticism in Taiwan Fiction." In Jeannette L. Faurot, ed. Chinese Fiction from Taiwan: Critical Perspectives. Bloomington: Indiana UP, 1980, 6-30.

-----. "Taiwanese Literature-Chinese Literature? Research Topics of the Nineties Concerning the Colonial Period and Post-war Development." Asiatica Venetiana 2 (1997): 105-116.

-----. "Last Rehearsals, Waiting in the Wings--Taiwan's Cultural Criticism of the Nineties." In Raoul Findeisen and Robert Gassmann, eds., Autumn Floods: Essays in Honour of Marian Galik. Bern: Peter Lang, 1997, 447-58.

-----. "A New Proximity: Chinese Literature in the People's Republic and on Taiwan." In H. Goldblatt, ed., Worlds Apart: Recent Chinese Writing and Its Audiences. Armonk, NY : M. E. Sharpe, 1990. 29-43.

Li, Ch'iao. "Bickering about the Meaning of 'Taiwanese Literature.'" Tr. Robert Smitheram. Taiwan Literature, English Translation Series 1 (Aug. 1996).

Liao, Hsien-hao. "From Central Kingdom to Orphan of Asia: The Transformation of Identity in Modern Taiwanese Literature in the five Major Literary Debates." In Sung-sheng Yvonne Chang and Michelle Yeh, eds., Contemporary Chinese Literature: Crossing the Boundaries. Special issue of Literature East and West. Austin, TX: Department of Middle Eastern Languages and Cultures, 1995, 106-26.

-----. "Becoming Cyborgian: Postmodernism and Nationalism in Contemporary Taiwan." In Xudong Zhang and Arif Dirlik, eds., Postmodernism and China. Durham: Duke UP, 2000, 175-201.

Liao, Ping-hui. "The Case of the Emergent Cultural Criticism Columns in Taiwan's Newspaper Literary Supplements: Global/Local Dialectics in Contemporary Taiwanese Public Culture." In Rob Wilson and Wimal Dissanayake, eds., Global/local: Cultural Production and the Transnational Imaginary. Durham: Duke University Press, 1996, 337-47.

Lin Jui-ming. "Literature Originates From the Land and People."Tr. Jenn-Shann Jack Lin. Taiwan Literature, English Translation Series 4 (1999): 3-8.

Lin, Julia C. Essays on Contemporary Chinese Poetry. Athens, OH: Ohio University Press, 1985.

Lin, Yaofu. "Toward a Version of China: The Taiwan Experience." Surfaces 5 (1995).

"Literature." The Republic of China Yearbook--Taiwan, 2001. [decent overview of Taiwan literature]

Lupke, Christopher. Modern Chinese Literature in the Post-Colonial Diaspora. Ph.D. diss. Ithaca: Cornell University, 1993.

-----. “Xia Ji’an’s (T.A. Hsia) Critical Bridge to Modernism in Taiwan.” Journal of Modern Literature in Chinese 4, 1 (2000): 35-64.

-----. "The Taiwan Modernists." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literature. NY: Columbia UP, 2003, 481-87.

-----. "The Taiwan Nativists." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literature. NY: Columbia UP, 2003, 502-508.

Malmqvist, Goran. "On the Develpment of Modern Taiwanese Poetry." Archiv Orientalni 67, 3 (1999): 311-22.

Marijnissen, Silvia. "'Made Things': Serial Form in Modern Poetry from Taiwan." Modern Chinese Literature and Culture 13, 2 (Fall 2001): 172-206.

Martin, Fran. Situating Sexualities: Queer Narratives in 1990s Taiwanese Fiction and Film. Ph. D. diss. Melbourne: University of Melbourne, 2000.

-----. Situating Sexualities: Queer Representations in Taiwanese Fiction, Film and Public Culture. HK: University of Hong Kong Press, 2003.

Martin, Helmut. "The History of Taiwanese Literature." Chinese Studies 14, 1 (June 1996): 1-51.

Mei, Wen-li. "The Intellectual in Formosa." The China Quarterly (July/Sept 1978): 65-74.

Neder, Christina and Ines Susanne Schilling, eds. Transformation! Innovation? Perspectives on Taiwan Culture. Wiesbaden: Harrassowitz, 2003.

P'eng Jui-chin. "The Primary Issue for Taiwan Literature is Identifying with the Land." Tr. Mabel Lee. Taiwan Literature, English Translation Series 4 (1999): 9-12.

Peng, Hsiao-yen. "From Anti-Imperialism to Post-Colonialism: Taiwan Fiction Since the 1977 Nativist Literature Debate." In Kwok-kan Tam et al., eds., Sights of Contestation: Localism, Globalism and Cultural Production in Asia and the Pacific. HK: The Chinese University Press, 2002, 57-78.

Research Unit on Taiwanese Culture and Literature (Ruhr University Bochum)

Ross, Timothy A. "Taiwan Fiction: A Review of Recent Criticism." Journal of the Chinese Language Teachers Association 13, 1 (1978): 72-80.

Sang, Tze-lang. "Lesbian Feminism in the Mass-Mediated Public Sphere of Taiwan." In Mayfair Mei-hui Yang, ed., Spaces of Their Own: Women's Public Sphere in Transnational China. Minneapolis: University of Minnesota Press, 1999, 132-61.

Scruggs, Bert Mitchell. Collective Consciousness and Individual Identities in Colonial Taiwan Fiction. Ph. D. diss. Philadelphia: University of Pennsylvania, 2003.

-----. "Censorship, Education, Technology, and the Colonial Taiwan Literary Field." Journal of the International Student Center, Yokohama National University 10 (2003): 95-108.

Shu, James C. T. "Iconoclasm in Taiwan Literature: A Change in the 'Family.'" Chinese Literature: Essays, Articles, Reviews 2, 1 (Jan.1980): 73-85

Sung, Mei-hwa. "Feminist Consciousness in Contemporary Fiction of Taiwan." In S. Harrell and Chun-chieh Huang, eds. Cultural Exchange in Postwar Taiwan. Boulder: Westview, 1994, 275-93.

Taiwan Cultural Studies (Taiwan wenhua yanjiu)

Taiwan Literature Studies Database (Forum for the Study of World Literatures in Chinese, UC Santa Barbara)

Taiwan Literature Symposium (NY, Apri-May 1998)

Tang, Xiaobing. "On the Concept of Taiwan Literature." Modern China 25, 4 (Oct. 1999): 379-422.

Tay, William, ed. "Contemporary Chinese Fiction from Taiwan." Special issue. Modern Chinese Literature 6, 1/2 (1992).

Tozer, W. "Taiwan's 'Cultural Renaissance.'" The China Quarterly (July/Sept. 1970): 81-90.

Tu, Kuo-ch'ing. "The Study of Taiwan Literature: An International Perspective." Taiwan Literature English Translation Series 2 (Dec. 1997): xiii-.

-----. "Urban Literature and the Fin-de-siecle in Taiwan." Taiwan Literature English Translation Series 6 (Dec. 1999): xiii-.

-----. "Foreword: Lai Ho, Wu Cho-liu, and Taiwan Literature." Taiwan Literature English Translation Series 15 (2004): xix-xxx.

Tung, Constantine. "Current Literary Scene in Taiwan: An Observation." Asian Thought and Society 3 (1978): 338-45.

Wang, David. "Radical Laughter in Lao She and His Taiwan Successors." In H. Goldblatt, ed., Worlds Apart: Recent Chinese Writing and its Audiences. Armonk: M.E. Sharpe, 1990, 44-63.

-----. "Translating Taiwan: A Study of Four English Anthologies of Taiwan Fiction." In Eugene Eoyang, ed., Translating Chinese Literature. Bloomington: Indiana UP, 1995. 262-72.

Wang, Jing. "Taiwan Hsiang-t'u Literature: Perspectives in the Evolution of a Literary Movement." In J. Faurot, ed. Chinese Fiction from Taiwan: Critical Perspectives. Bloomington: Indiana UP, 1980.

-----. "The Rise of Children's Poetry in Contemporary Taiwan." Modern Chinese Literature 3, 1/2 (1987): 57-70.

Wang, Tuo. "Native Literature as a Stimulus for Social Change: From a Writing Career to Political Activism." Tr. Juliettte Gregory. In Helmut Martin Modern Chinese Writers: Self-portrayals. Armonk, NY: M.E. Sharpe, 1992, 224-30.

Weinstein, John B. "Multilingual Theater in Contemporary Taiwan." Asian Theatre Journal 17, 2 (2000): 269-83. [Project Muse link]

Yang, Jane Parish. "The Evolution of the Taiwanese New Literature Movement from 1920-1940." Fu Jen Studies: Literature and Linguistics 15 (1982): 1-18.

Yang, Xiaobin. "Telling (Hi)story: Illusory Truth or True Illusion." Tamkang Review 21, 2 (1990): 127-47.

Yee, Angelina C. "Constructing a Native Consciousness Taiwan Literature in the 20th Century." China Quarterly 165 (March 2001): 83-101. [pdf version on China Quarterly website]

Yeh, Michelle. "Modern Poetry in Taiwan: Continuities and Innovations." In S. Harrell and Chun-chieh Huang, eds. Cultural Exchange in Postwar Taiwan. Boulder: Westview, 1994, 227-45.

-----. "From Surrealism to Nature Poetics: A Study of Prose Poetry from Taiwan." Journal of Modern Literature in Chinese 3, 2 (Jan. 2000): 119-56.

"Modern Poetry of Taiwan." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literature. NY: Columbia UP, 2003, 561-69.

Yee, Angelina C. "Constructing a Nativist Consciousness: Taiwan Literature in the Twentieth Century." In Richard Louis Edmonds and Steven M. Goldstein, eds., Taiwan in the Twentieth Century: A Retrospective View. Cambridge: Cambridge UP, 2001, 83-101.

Yeh Shih-t'ao. "A Long Range View of Taiwan Fiction." Tr. Linda G. Wang. Taiwan Literature: English Translation Series 4 (1999): 99-102.

-----. "The Multi-Ethnic Issue of Taiwan Literature." Tr. Wan-shu Lu. Taiwan Literature: English Translation Series, No. 3 (1998): 3-12.

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-----. "Social Realism in Recent Chinese Fiction from Taiwan." Thirty Years of Turmoil in Asian Literature. Taipei: International PEN, 1976, 197-231.

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-----. Hong Kong: Culture and the Politics of Disappearance. Minneapolis: University of Minnesota Press, 1997.

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Cheung, Esther M. K. "Voices of Negotiation in Late Twentieth-Century Hong Kong Literature." In Joshua Mostow, ed, and Kirk A. Denton, China section, ed., Columbia Companion to Modern East Asian Literatures. NY: Columbia UP, 2003, 604-609.

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-----. "King Kong in Hong Kong: Watching the 'Handover' from the USA." Social Text 55 (Summer 1998): 93-108.

Damm, Jens. Ku'er vs. tongzhi - Diskurse der Homosexualität. Über das Entstehen sexueller Identitäten im glokalisierten Taiwan und im postkolonialen Hongkong (Discourses on homosexual identities in Taiwan and Hong Kong). Bochum: Cathay Skripten, Taiwan Studies Series, no. 16, 2000.

[Abstract: During the nineties, two different discourses on homosexual identity have developed in Hong Kong and in Taiwan: a tongzhi-discourse in Hong Kong, which attributes the negative attitude toward homosexuality in modern Chinese societies to the influence of (post)colonialism and appeals for a more tolerant attitude by making frequent and pointed reference to the Chinese tradition of male homosexual relationships. The Taiwanese ku'er (queer) discourse, which regards Taiwanese society as being firmly embedded in a globalized world, may therefore be seen as resulting from a blend of glocalized influences and a more tolerant attitude is only possible in a pluralistic society where the flow of gender and desire is recognized. In the paper, two recently published works are presented as examples for the two discourses: Post-Colonial 'Tongzhi', written by the Hong Kong sociologist Zhou Huashan and Queer Archipelago: A Reader of the Queer Discourses in Taiwan compiled by the Taiwanese author of belles-lettres and ku'er-theoretician Ji Dawei. It is also shown that the differences in the discourses may be traced back to the drifting apart of the political and social scenarios in Taiwan and Hong Kong.]

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Tay, William. "Colonialism, the Cold War Era, and Marginal Space: The Existential Conditions of Four Decades of Hong Kong Literature." Surfaces 5 (1995). Aslo in Sung-sheng Yvonne Chang and Michelle Yeh, eds., Contemporary Chinese Literature: Crossing the Boundaries. Special issue of Literature East and West. Austin, TX: Department of Middle Eastern Languages and Cultures, 1995, 141-47.

-----. "Colonialism, The Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature." In Pang-yuan Chi and David Wang, eds., Chinese Literature in the Second Half of the Twentieth Century: A Critical Survey. Bloomington: Indiana UP, 2000, 31-38.

Taylor, Jeremy E. "Nation, Topography, and Historiograpy: Writing Topographical Histories in Hong Hong." Modern Chinese Literature and Culture 15,2 (Fall 2003): 45-75.

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